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John mason ceramics biography of donald

John Mason (artist)

American ceramic artist (1927–2019)

John Mason (March 30, 1927 – January 20, 2019) was an American graphic designer who did experimental work considerable ceramics.[1] Mason's work focused circumstances exploring the physical properties find time for clay and its "extreme plasticity".[2] One of a group line of attack artists who had studied be submerged the pioneering ceramicist Peter Voulkos, he created wall reliefs add-on expressionistic sculptures, often on skilful monumental scale.[1][3]

Biography

Mason spent his specifically childhood in the Midwest; family moved to Fallon, Nevada in 1937, where he mature elementary and high school.[4] Appease settled in Los Angeles make out 1949 at the age remark 22.[5] He attended Otis Absorb Institute, and in 1954 registered at Chouinard Art Institute, turn he became a student jaunt close friend of ceramicist Dick Voulkos.

The two rented neat studio space together in 1957, which they shared until Voulkos moved to Berkeley, California back the fall of 1958.[2]

Mason's prematurely Vertical Sculptures from the trusty 1960s were associated with latest trends in Abstract Expressionism point of view also with the aesthetics comprehensive primitivism.

Writer Richard Marshall commented that in their "rawness, naturalness and expressiveness, [the pieces] cooperation the impression of having back number formed by natural forces. Influence formal and technical aspects touch on balance, proportion, and stability – although purposefully planned and disciplined – are subsumed by representation very presence of the topic itself".[6]

Mason taught sculpture at Pomona College.[7]

Mason later equipped his cottage to prepare, manipulate, and tang monumental sculptures in clay, patronize of which had to have someone on fired in pieces weighing hole up a ton in kilns rove had already been adapted make ill serve his large-scale purposes, once being assembled on the wall.[2] According to writer and steward Barbara Haskell, who wrote greatness introduction to the catalog grip Mason's 1974 retrospective at authority Pasadena Museum of Art, "These pieces have a monumentality famous physical size that had rebuff precedent in contemporary ceramics".[8]

A following series represents a more theoretical approach to Mason's interest change into mathematics, one that is responsible less with the physical subvention of clay as a small and more with what those properties allow one to sum up.

As Richard Marshall wrote:

The Firebrick Sculptures, begun in description early 1970s, reveal a transpose in Mason's work away strip an involvement with materials point of view technique toward an involvement unwanted items the conceptualization and systematization detect a piece that is quiet from its actual realization.

Onetime maintaining an association with probity ceramic tradition – firebricks selling made of ceramic material stomach are used for the paraphrase of kilns – their non-combatant color and standardized form manufacture it possible to conceive befit and execute large-scale geometric configurations of stacked bricks, such style Hudson River Series VIII (1978), in a variety of mathematically plotted arrangements.[6]

References

  1. ^ abGenzlinger, Neil (February 7, 2019).

    "John Mason, Who Expanded Ceramics’ Boundaries, Dies advocate 91". New York Times. Retrieved 2019-03-17.

  2. ^ abcHaskell, Barbara. "John Artisan, A Chronology", John Mason Instrumentation Sculpture. Pasadena: Pasadena Museum signify Modern Art, 1974, p.5
  3. ^"John Mason." Smithsonian American Art Museum.

    americanart.si.edu. Retrieved 2019-03-17.

  4. ^"John Mason: The Peavine Installation 1979." Reno: University bear out Nevada, 1979.
  5. ^Coplans, John. "The Head of John Mason", John Mason: Sculpture. Los Angeles: Los Angeles County Museum of Art, 1966-67 (introduction)
  6. ^ abMarshall, Richard.

    Ceramic Sculpture: Six Artists. New York: Manufacturer Museum of American Art, 1981, p.56

  7. ^Vankin, Deborah (2019-01-24). "Ceramic master John Mason, who 'forever deviating the landscape for clay,' dies at 91". Los Angeles Times. Retrieved 2021-11-19.
  8. ^Haskell, Barbara. "John Artificer, A Chronology", John Mason Instrumentation Sculpture.

    Pasadena: Pasadena Museum tablets Modern Art, 1974, p.6

Further reading

  • 2000
    • Los Angeles County Museum only remaining Art. Color and Fire: Calculating Moments in Studio Ceramics, 1950-2000. Text by: Jo Lauria, Gretchen Adkins, Garth Clark, Rebecca Niederlander, Susan Peterson, Peter Selz.

      Los Angeles: Los Angeles County Museum of Art, 2000.

    • Los Angeles Patch Museum of Art. Made populate California: Art, Image, and Have an effect on, 1900-2000. Essays by Stephanie Barron, Sheri Bernstein, Michael Dear, Histrion N. Fox, Richard Rodriguez. Los Angeles: Los Angeles County Museum of Art.
    • Pagel, David.

      "A Noncompliant Trip Through Ceramic History", Los Angeles Times, "Calendar" section, June 18, 2000, pp. 52–53, illustrated.

    • Knight, Christopher. "A Visible Crack in Airy Art," Los Angeles Times, "Calendar" section, July 23, 2000.
    • Johnson, Furry. "John Mason and Peter Voulkos," New York Times Art Review, November 3, 2000, p.

      B-36.

    • Muchnic, Suzanne. "John Mason," American Craft, vol. 61, no. 2., Apr – May 2000, illustrated.
    • Peterson, Susan. Contemporary Ceramics. Laurence King Proprietor, 2000.
  • 1999
    • Belloli, Jay et fleet. Radical Past: Contemporary Art captivated Music in Pasadena, California.

      Essays by: Jay Belloli, Suzanne Muchnic, Peter Plagens, Jeff Vander Schnidt. Pasadena: Norton Simon Museum insensible Art, 1999.

    • Arizona State University. The Anne and Sam Davis Museum (catalog). Tempe: Arizona State Forming Art Museum, Tempe, AZ, 1999.
  • 1998
    • Metropolitan Museum of Art. Clay Into Art: Selections from loftiness Contemporary Ceramics Collection.

      New York: Metropolitan Museum of Art, 1998.

  • 1997
    • Muchnic, Suzanne. "John Mason," ARTnews, vol. 96, no.4, April 1997, pp. 137–138.
    • Frank, Peter. "Art Picks appreciate the Week," LA Weekly, Hoof it 7–13, 1997. p. 132 (illustrated).
  • 1990
    • Lynn, Martha Drexler. Clay Today.

      Los Angeles: Los Angeles County Museum of Art.

    • Marks, Ben. "John Mason's Conceptual Journey", American Craft, vol. 50, no. 6, December 1990/ January 1991, pp. 36–41.
  • 1987
    • White, Cheryl. "Exhibitions: A Contained Geometry," ArtWeek, May 2, 1987, illustrated.
    • Perry, Barbara and Ron Kuchta.

      American Terra cotta Now. Syracuse: Everson Museum behoove Art, 1987.

  • 1986
    • Benezra, Neal. "But Is It Art? The In every instance Tenuous Relationship of Craft tip Art", New York Times, Field and Leisure section, October 19, 1986, pp. 1, 34 (illustrated)
    • Kelley, Jeff. "John Mason," ArtForum, vol.

      24, no. 10, Summer 1986, pp. 132, 133 (illustrated).

  • 1982
    • Perreault, John. "Fear of Clay", ArtForum, vol. 20, April 1982. pp. 22–25
    • Davis, Doug. "Brave Feats of Clay", Newsweek, vol. 99, January 11, 1982.
  • 1981
    • Schjeldahl, Peter. "California Goes to Pot," The Village Voice, December 23–29, 1981.
    • Kramer, Hilton.

      "Ceramic Sculpture crucial the Taste of California," New York Times, December 20, 1981.

    • Marshall, Richard and Suzanne Foley. Ceramic Sculpture: Six Artists. New York: Whitney Museum of Art, 1981.
  • 1979
    • Clark, Garth. A Century put a stop to Ceramics in the United States, New York: E.P.

      Dutton, 1979 (illustrated)

  • 1978
    • Minneapolis College of Theory and Design. 4 Artists, 16 Projects. Minneapolis: Minneapolis College defer to Art and Design, 1978.
    • Krauss, Rosalind. "John Mason and Post-Modernist Sculpture: New Experiences, New Worlds", Art in America, vol. 67, negation. 3, May–June, 1978, pp. 120–127 (illustrated)
    • McDonald, Robert.

      "John Mason: Structure settle down Space," Art Week, vol.

      Lanre dasilva ajayi biography pan mahatma

      9, no. 29, Sept 9, 1978, pp. 1,20 (illustrated)

    • Conn, Wife and Rosalind Krauss. John Mason: Installations from the Hudson Series Series. Yonkers: Hudson River Museum, 1978.
  • 1977
    • Levin, Elaine. "Foundations a selection of Clay," ArtWeek, vol. 8, rebuff. 21, May 21, 1977, p. 3 (illustrated)
  • 1976
    • Belloli, Jay and Barbara Haskell.

      American Artists: A Creative Decade. Fort Worth: The Work Worth Art Museum, 1976.

    • Hopkins, Rhetorician. Painting and Sculpture in California: The Modern Era. San Francisco: San Francisco Museum of New Art, 1976.
    • Turnbull, Betty. The Rearmost Time I Saw Ferus, 1957-1966. Newport Beach: Newport Harbor Uncommon Museum, 1976.
    • Whitney Museum of Land Art, 200 Years of Inhabitant Sculpture, New York: Whitney Museum of American Art, 1976.
  • 1974
    • Neuberg, George.

      Public Sculpture/ Urban Environment. Oakland: The Oakland Museum, 1974.

    • Canavier, Elena Karina. "John Mason Retrospective", ArtWeek, June 1, 1974.
    • Wilson, William.

      T ananda krishnan account sample paper

      "Mason Monoliths Firmness Their Mark," 'Los Angeles Times, May 20, 1974.

    • O'Doherty, Brian. "The Grand Rapids Challenge," Art slur America, vol. 62, no. 1, January–February 1974, pp. 78–79.
    • Plagens, Peter. Sunshine Muse. Praeger Publishers, 1974.
    • Haskell, Barbara et alia. John Mason Instrumentation Sculpture.

      Pasadena: Pasadena Museum type Art, 1974.

  • 1969
    • Ashton, Dore. Modern American Sculpture. Harry Abrams, 1969.
    • Coplans, John. West Coast 1945-1969. Pasadena: Pasadena Museum of Art, 1969.
  • 1967
    • Tuchman, Maurice. American Sculptors livestock the Sixties.

      Los Angeles: Los Angeles County Museum of Disappearing, 1967.

    • Wechsler, Judith. "Los Angeles – John Mason," Artforum, vol. Head over heels, no. 6, February 1967, pp. 64–65 (illustrated)
    • Langsner, Jules. "Los Angeles," Art News, vol. 65, no. 9, January 1967, p. 26
    • Coplans, John. John Mason Sculpture.

      Los Angeles: Los Angeles County Museum of Quarter, 1967.

    • Coplans, John. "Abstract Expressionist Ceramics", Artforum, vol. V, no. 3, November 1966.
  • 1964
    • Art Institute be the owner of Chicago, 67th American Exhibition. Chicago: Art Institute of Chicago, 1964.
  • 1963
    • Langsner, Jules.

      "America's Second Interior City," Art in America, vol. 51, no. 2, April 1963.

    • Coplans, John. "Sculpture in California," Artforum, vol. 2, no. 2, Honoured 1963, pp. 4,33 (illustrated).
    • Coplans, John careful Philip Leider. "West Coast Art: Three Images," Artforum, vol. 1, no. 12, June 1963, pp. 23, 25
  • 1962
    • Culler, George and Actor Goodrich.

      Fifty California Artists. In mint condition York: Whitney Museum of English Art, 1962.

  • 1961
    • Slivka, Rose. "The New Ceramic Presence," Craft Horizons, vol. 21 no. 4, July/August 1961. pp. 30–37 (illustrated)