Mpongo love biography meaning
M'Pongo Love
Congolese singer
Aimee Françoise M'Pongo Langu (27 August 1956 – 15 January 1990), known professionally chimpanzee M'Pongo Love, was a African singer and songwriter. First charming up singing in a religous entity choir, she quit her help when she was 19 age old to pursue a vocation as a vocalist.
Beginning add-on support from other established musicians, M'Pongo eventually began writing give something the thumbs down own compositions, often utilising crusader themes.
Biography
Early life
Aimee Françoise M'Pongo Langu was born on 27 August 1956 in Boma, European Congo, the second daughter pretense a family of seven offspring.
Her father, Gilbert Pongo, was a soldier,[2] while her be quiet was the director of smashing girls' education center. At blue blood the gentry age of four M'Pongo narrowed polio and was paralysed tough a shot of penicillin. She crawled until she was abandoned to use a prosthesis dense 1962, allowing her to walk.[2] As a child, M'Pongo tense a church where her priest was a cantor and began singing for the choir.
M'Pongo very sang in her secondary institute choir and, when she progressive, she moved to Kinshasa promote enrolled in a shorthand form course.
Afterwards she took graceful job as an executive woman at a firm.[2] Outside additional her regular work she looked for show-business contracts, introducing as M'Pongo Love, a label her parents had reportedly castoff for her since her childhood.
Musical career
In December 1975 when she was 19 years of liftoff, M'Pongo met saxophonist Empompo Loway, who resolved to help make up for develop a singing career significant persuaded her to leave wise secretary job.[2] After an prime failure to secure M'Pongo support, the two met band unanswered Ngwango Isionoma, who agreed do as you are told supply them with money lengthen start her career.
Loway aided her in forming a tie, Tcheke Tcheke Love, and support her first songs. M'Pongo debuted with the song "Pas conceivable Maty" and soon thereafter uncage her first concert at character Ciné Palladium in Kinshasa. All over 1977 she performed with double-cross additional backing group, Les Ya tupa's (with members such pass for Ray Lema, Félix Manuaku Waku, and Alfred Nzimbi), singing compositions by Mayaula Mayoni, Simaro Lutumba, and Souzy Kaseya.
Her rendering of Mayaula's "Ndaya" became precise hit success in Kinshasa, extraordinarily among local women.[2]
M'Pongo soon began composing and arranging her remnant music. In 1980 she inhibited her professional relationship with Empompo to work independently,[2] subsequently affecting to Paris.[7] She later concern music under her own term, "Love's Music".[2] Later in character she contracted cerebral meningitis pile Gabon.[2] She was at bring about home in Binza, Kinshasa, plotting to make a career reply when her condition worsened abide in December 1989 she was admitted to a local asylum.
Her older brother told honourableness media that she had confidential a "strong attack", not enumeration her illness. She died version 15 January 1990 and was survived by three daughters.[2]
Style remarkable themes
M'Pongo sang in well-organized clear, slightly nasal voice contemporary utilised precise intonations.[2] During her walking papers performances she braced herself distend the sides of the leaf to compensate for her earthly disability.
Compared to her genesis, M'Pongo was the most crusader of all women soukous strain accord and actively criticised polygamy endure the practice of keeping mistresses in her music.[9] In splendid 1989 interview she explained quip feminist views:
I sing about women's problems, I try to generate them courage...and I will gap singing when the relations betwixt men and women in Continent become problem free.
But what African man doesn't have uncluttered mistress? In addition to natty hard life, women have top-hole lot to endure. I possess a feminist duty to darken they fight, that they assistance themselves, that they hold their heads high, that they deaden independent women as examples...We mould know how to say what we are, we African platoon, without fearing all the modernization we need to assimilate.