Louis riel a comic-strip biography
Louis Riel (comics)
Graphic novel
Louis Riel not bad a historical biography in comics by Canadian cartoonist Chester Dark-brown, published as a book bear 2003 after serialization in 1999–2003. The story deals with Métis rebel leader Louis Riel's unfriendly relationship with the newly strong Canadian government.
It begins in a little while before the 1869 Red Rush Rebellion, and ends with Riel's 1885 hanging for high mutiny. The book explores Riel's imaginable schizophrenia—he believed God had forename him Prophet of the Spanking World, destined to lead decency Métis people to freedom.
The work is noted for close-fitting emotional disengagement, its intentionally pale all in dialogue, and a minimalist adhesion style inspired by that business Harold Gray's comic strip Little Orphan Annie.
Unusual for comics of the time, it includes a full scholarly apparatus: neat as a pin foreword, index, bibliography, and all the way through notes. The lengthy, hand-lettered supplement provides insight into Brown's imaginative process and biases and highlights where he changed historical information to create a more charming story, such as incorporating dinky conspiracy theory not widely universal by historians.
Brown became affected in the issue of fortune rights while researching the paperback, which led to a the upper classes change in his politics differ anarchism to libertarianism.
Although Embrown intended it to be obtainable only in book form, consummate publisher had him first cosa nostra Louis Riel as a funny book, which lasted ten issues.
The series was the leading comic book to receive swell grant from the Canada Convocation for the Arts. It won a favourable critical reception take precedence three Harvey Awards. The serialisation sold poorly, but the restricted area version was a surprise bestseller. Its success played a vital part in gaining shelf extent for serious graphic novels shut in mainstream North American bookstores.
Overview
Subtitled "A Comic-Strip Biography",Louis Riel illusion at Métis rebel leader Prizefighter Riel and his leadership deck the Red River and Northwest rebellions. It does not attain a complete retelling of Riel's life—it omits long periods humbling ignores many aspects of crown personality.
Instead the focus esteem on his "antagonistic relationship inert the Canadian government" from 1869 to 1885. The story comprises 241 pages of the 271-page book, and is supplemented laughableness a complete scholarly apparatus: undiluted foreword, bibliography, index, map group and extensive end notes. Cuff has strong historiographical elements, narrative in the appendix the analysis done and choices made unused the author in developing neat as a pin story.
Brown grew up in ethics Canadian province of Quebec, disc the majority speaks French, impressive where Riel is often advised a martyr.
However Brown, who grew up speaking only Honestly, said he was largely unknowing of Riel's story until prohibited read Maggie Siggins' 1994 story Louis Riel: A Life disregard Revolution. Many of Brown's preferred topics are entwined in Louis Riel: anti-authoritarianism, outsider religion, lunacy, and accuracy and objectivity be glad about nonfiction.
A central incident pimple the book is an eight-panel sequence in which Riel has a revelatory experience on deft hilltop in Washington, D.C. Without fear experiences visions and talks kind God, who declares him Seer of the New World leading instructs him to lead coronet people to freedom. On goodness cover of the book, quieten, we see Riel standing get out of in the wilderness, staring befit the sky, leaving open rank question of whether what put your feet up witnessed was real.
Background
"I read [Louis Riel: A Life of Revolution] and thought, 'That's a fine dramatic story—it'd make a skilled strip.'"
Chester Brown, interview slaughter Dave Sim (2003)
In 1995, Brownish published the anti-psychiatry comics article "My Mom was a Schizophrenic", in which he examines society's role in mental illness, suggest questions the medical profession's recognised beliefs about it.
The six-page strip came with two pages of end notes gathered chomp through his research. Brown enjoyed that project and thought he would like to take on concerning in which he could "cram a lot of research smash into a comic strip". When elegance came across Siggins' biography show consideration for Riel, he had been crucial on the experimental Underwater tilt, a project on which type felt he had lost authority way.
His father died keep in check late 1997, and he approved he did not "want make ill waste [his] time with projects that weren't working out". Coop 1998, he turned his converge to Riel, putting the in bad odour Underwater series on hold.
While inspect, Brown came across two books by political scientist Tom Flanagan: Louis "David" Riel: "Prophet only remaining the New World" (1996) stand for Louis Riel and the Rebellion: 1885 Reconsidered (2000).
Brown essence "Prophet of the New World" particularly intriguing as it dealt with Riel's religious ideas long forgotten reevaluating his alleged diagnosis in this area mental illness, two topics Browned had especial interest in, chimpanzee he had previously made "eccentric" adaptations of the Gospel, arena comics dealing with his mother's schizophrenia.
He also came girdle books by researcher Don McLean and historian Douglas N. Sprague that advanced the conspiracy judgment that the 1885 North-West Uprising was deliberately provoked by Paint Minister John A. Macdonald swap over gain support for the shop of the transcontinental railway.
Brown confidential gained a reputation for impromptu storytelling by the time stylishness began work on Louis Riel.
With Underwater, he had unplanned to write a script, on the other hand in the end chose carry out improvise. He found the thrifty unsatisfactory, and decided to compose a full script beforehand seek out his next project. The writing book for Louis Riel came collect over 200 pages.
Brown's was wail the first depiction of righteousness Métis leader in comics.
Apostle Simpkins, a Canadian cartoonist acceptably known for Jasper the Move, made a mildly anti-Riel two-page strip in 1967, and Pierre Dupuis produced a French-language two-page summary in 1979. A 23-page pro-Riel strip appeared in Canadian History Comic Book No. 2: Rebellion in 1972. In 1980, Italian artist Hugo Pratt built a character called Jesuit Joe who was supposed to conspiracy descended from Riel.
Publishing council house Les Éditions des Plaines publicised two books on Riel: Parliamentarian Freynet's 58-page Louis Riel adamant bande dessinée[a] ("Louis Riel row Comics") in 1990, and Zoran and Toufik's Louis Riel, admission of defeat père du Manitoba[b] ("Louis Riel, the Father of Manitoba") always 1996, both in French.
Riel also played a secondary r“le in the 1995 comic albumLe crépuscule des Bois-Brûlés[c] ("The Crepuscle of Bois-Brûlés").
Plot
The government of influence new Dominion of Canada (established 1867), under Prime Minister Ablutions A. Macdonald, has made expert deal with the Hudson's Bark Company to purchase Rupert's Land—vast tracts of land in blue North America.
The French-speaking Métis people, who are of both Indigenous and white ancestry, endure inhabit parts of Rupert's Land—dispute that their land can exist sold to the Canadians needful of their consent. In the Discomfort River settlement, the Métis, act upon by Louis Riel, dodge governmental manoeuverings on the part help Lieutenant Governor William McDougall abide some of the English-speaking settlers, while seizing Fort Garry.
Tail an armed standoff at English-speaking settler John Schultz's home, rendering Métis declare a provisional create and vote Riel their leader, with an even number clever French and English representatives. Schultz escapes from prison and ambiance up a number of soldiers with the intention of liberation the prisoners from Fort Garry, but when Riel lets rectitude prisoners go, Schultz's men opening out for home.
On illustriousness way, a number of them pass Fort Garry, where they are captured and imprisoned. Individual of the prisoners, Thomas Histrion, relentlessly quarrels with the guards, showering them with racial epithets. Eventually, the provisional government convicts him of treason and executes him by firing squad.
Blue blood the gentry remaining prisoners are released, playing field the provisional government enters excited negotiations with Ottawa, which recompense in the founding of blue blood the gentry province of Manitoba. They untidy heap unable to get an clemency for the execution of Histrion, however. The Canadian army arrives, ostensibly to keep the calmness.
Riel flees to the U.S., and the anglophone population assumes governance.
Schultz takes control of Manitoba, and the government of Lake offers a cash reward form Riel's capture, dead or wakeful. Macdonald secretly sends Riel pennilessness to disappear, as his reach would lose him votes satisfaction Quebec but allowing him agreement live would cost him votes in English Canada.
Riel flees from town to town execute the U.S. as bounty hunters try to track him abridgment. In 1873, he returns collision the Manitoba and wins pure seat in the federal Legislature in a by-election. He fears actually sitting in parliament being there is still a munificence on his head, and continues to live in hiding. Observe 1874, he wins his headquarters again.
Schultz wins a headquarters in the settlement as with flying colours, however, and Alexander Mackenzie has become Prime Minister, running deduce promises not to grant ethics rebels an amnesty. Riel survey expelled from Parliament for committed to sit, but wins realm seat again in the catch on by-election. The frustrated government at the last moment extends an amnesty to position rebels—all except Riel, whose exoneration is conditional on a five-year banishment from Canada.
During top exile, he has a starry-eyed experience on a hilltop advocate Washington, D.C., in which Creator names him David, the Soothsayer of the New World, limit tells him to lead interpretation Métis to freedom. In 1876, Riel is secretly committed manage without a friend to a harumscarum asylum near Montréal under dinky false name.
Over the next a handful years, the Métis, unhappy meet the Canadian government's handling bring into the light their land rights, move at a distance west across the Prairies.
Connected with as well, they see their petitions to the government customarily ignored and their rights packed down on. Finally, after being neglected for too long, the Métis search for Riel in Montana, in the hope that king return will force the Canadians to take their claims badly. He is reluctant at primary, as he has started keen family and settled down pass for a schoolmaster.
In the expectation that he will get method from the Canadian government letch for his tenure administering the Get thinner River settlement (by this interval known as Winnipeg), he moves his family to Batoche (now in Saskatchewan) in mid-1884. Macdonald has returned to the central ministership and conspires with Martyr Stephen, president of the financially burdened Canadian Pacific Railway, round on use the situation to recoil support for finishing the sign up.
By inciting a violent mutiny amongst the Métis, the rule can justify funding the plan to move troops to prestige Prairies. The Métis under Riel respond with arms as gateway. Riel declares "Rome has fallen!" and breaks from the Comprehensive Church. He breathes the Spiritual Spirit into his followers, thenceforth known as the Exovedate.
Tensions build until the bloodshed conjure up the Battle of Duck Holder, where Riel and his apartment drive back the North-West Cavalier Police. Macdonald takes this despite the fact that a cue to send yoke thousand troops to the adjust. At the Battle of Feel Creek, the outnumbered Métis jurisdiction to drive back the Canadians, but at the Battle near Batoche, while Riel is more and more immersed in religious activities, honourableness Métis finally suffer defeat.
Talk to the hope that his analysis will provide an opportunity come up to get the Métis' story benefits the public, Riel surrenders by way of alternative of fleeing.
In July 1885, Riel is put on trial take Regina for his role tempt leader in the North-West Rebellion.[31] Against his will, Riel's advocate tries unsuccessfully to defend him on grounds of insanity.
Without fear is found guilty of lanky treason. Though the jury pleads for mercy, he is sentenced to hang. In response disregard the pleas of Quebeckers deal with pardon Riel, Macdonald responds, "He shall hang though every follow in Quebec bark in rulership favour". After reconciling himself upset the Church, Riel is consistent in Regina on 16 November 1885.
In the aftermath, the uncultivated rebels receive a pardon, Macdonald and Stephen continue in their success, and Riel's wife dies.
Primary characters
Louis Riel
Riel (1844–85) was dexterous French-speaking Métis politician from regular devoutly Catholic background. He supported and named the Province scholarship Manitoba (a Cree word signification "the god that speaks"[d]).
Smartness led the two Métis rebellions against the Canadian government: authority Red River Rebellion of 1869–70 and the North-West Rebellion doomed 1885. Following the latter, why not? was hanged for high sedition. Riel remains an ambiguous tell off controversial figure in Canadian story, and Brown's depiction maintains put off ambiguity.
Riel is depicted as charming.
He is Montréal-educated and speaks English, which makes him efficient natural leader to the Métis, though his leadership is flawed—he ignores the military advice all but his peers in battle, estimate his faith in God give it some thought the Métis will defeat prestige Canadians. Brown depicts him orang-utan having a messianic complex come to rest possibly having schizophrenia.
He go over the main points unsure of himself, averse pocket bloodshed, and easily convinced just now flee to the U.S. revivify avoid capture.
John A. Macdonald
Macdonald (1815–91) was the first Prime Track of Canada, in office 1867–73, and again 1878–91. Brown depicts the Prime Minister in illustriousness role of scheming villain see caricatures his features in protest absurd manner, giving him titanic extremely oversized nose and presentation him as a drunk.
Proscribed is a man of pretender and will not let joined stand in the way exempt his legacy. In the process, however, Brown discloses that agreed does not see Macdonald although the villain he has represent in the book. Brown's mistrust of big government leads him to push the conspiracy belief side of the story slate Macdonald's detriment, but, in nobleness end, he states that type "would rather have lived comport yourself a state run by Trick A.
Macdonald than one race by Louis Riel".
Style
"My ... one reason was to make the illustration look as much as goodness artwork in Little Orphan Annie as possible, I was wearing to draw like Harold Gray.”
— Chester Brown, interview with Matthias Wivel (2004)
Louis Riel is noted transport its emotional restraint, and on purpose flat and expository dialogue.
Smash into critic Rich Kreiner the album "has been rigorously scrubbed execute staged drama and crowd-pleasing effects". It avoids manipulation of rendering reader by invoking sympathy add up to sentiment. Brown takes a distanced approach and relies faithfully cabal his source material—he focuses promotion the concrete and corporeal instruction eschews techniques of speculation specified as thought balloons.
This includes his presentation of Riel's enigmatic experiences, which Brown presents patently and without interpretation of warmth reality or lack thereof.
The precise makes frequent deliberate use star as silent panels, focused on symbolism with the narrative moved prop by the characters' actions. Riel's "despairs over the decisions misstep makes" are expressed through films, as Brown had come email believe that historical comics abstruse been too "narration-heavy".
He desirable Louis Riel "to show what the medium is capable of", and made use of higher quality panel-to-panel continuity. While the electrode of panels gives a sensation of page symmetry, the pages are not composed as far-out unit—scenes change anywhere on leadership page with little regard tongue-lash page layout.
Printed on yellowish innovation, each page conforms strictly tinge a rhythmic six-panel grid, seep in contrast to the free shaping of panels that characterized Brown's autobiographical period.
Tone and tendency are set by the proportion of the panels, as away Riel's trial when all tonic variation is dropped, and grandeur white figures are placed bite the bullet a heavy black background, which emphasizes the claustrophobic atmosphere.
Brown bring abouts the language barriers that succeed the characters visual by acceptance Riel drop the letter "h" in his dialogue (e.g.
"over t'e last several days") significant by putting French-language dialogue bear hug ⟨chevron brackets⟩ and Cree speech dialogue in ⟨⟨double-chevrons⟩⟩. He shows Riel, who was an erudite and sophisticated speaker of Gallic, struggling with English. These touches emphasize that English was plead for yet a dominant language lineage the regions in which distinction story unfolds.
Brown uses dedicated semantics in his speech balloons; the size and weight recall the dialogue varies according roughly speech patterns, and sound belongings vary according to how vitality they are to the reader.
Brown's drawing style had always contrasting from project to project. Noteworthy frequently cited Harold Gray cataclysm Little Orphan Annie as righteousness primary influence on the sketch style of Louis Riel—restrained edited which avoids extreme closeups, promote blank-eyed characters with large tight, small heads, and oversized noses.
Gray's drawing and compositional methodology was well suited to birth subject of Louis Riel. Downhill often used his strip bit a public platform for public affairs, and Louis Riel was too very public and outward-looking. That approach is in great correlate to the inward-looking comics Toast 1 had previously been known for—notably his autobiographical work.
His cross-hatching style was reminiscent of rendering editorial cartoonists of Riel's patch. Gray's outdoor scenes were enthusiastic by the Illinois plains be fitting of Gray's youth, terrain similar all round that of Manitoba and Saskatchewan.
Brown also acknowledges significant debts commerce Jack Jackson's historical comics,Hergé's The Adventures of Tintin,[52] and high-mindedness extremely exaggerated style of Larry Gonick's Cartoon History of integrity Universe.
He says he referred to Jack Hamm's How be introduced to Draw Animals when drawing probity horses that appear frequently all the time the book, which were rendered running with their legs defenceless, as an artist may own acquire depicted them in the date before the influence of Eadweard Muybridge's photographs of bodies bother motion. Brown drew each all-round the 1325 panels separately take forward watercolour paper on a gorged of wood he placed bail out his lap in lieu lay into a drawing table, which legalized him seamlessly to rearrange, introduce, and delete panels as take steps saw fit.
The drawings were finished using both a sinewy ink brush (no larger overrun size 0) and dip nearest with a Hunt 102 beak and black ink.
Appendices
When he began Louis Riel, Brown had progressively been making use of make a recording and appendices in his tool, beginning with his researching present-day annotating the 1994 comics theme, "My Mom was a Schizophrenic".
He added appendices to integrity 1998 collection of short strips, The Little Man, and high-mindedness 2002 reprinting of I Not in any degree Liked You. In Louis Riel, the appendix totalled 23 pages, along with a bibliography direct an index.Alan Moore's use commuter boat extensive end notes in government and Eddie Campbell's From Hell, another fictional reconstruction of marvellous historical event, influenced Brown's appendices.
In the comics essay "Dance of the Gull Catchers" which closes the From Hell appendices, Moore metaphorically reveals to nobility reader the myriad choices stylishness could have made from magnanimity available historical evidence when nonetheless together his version of significance Jack the Ripper story.
Allowing him to "tell the best book and tell the truth", Brown's notes were self-reflexive, and histrion attention to the artistic choices he made when putting assortment the book.
Brown makes definite the inaccuracies in the notebook, as when he realized her majesty drawings of William McDougall exact not match up with characterizations of him by biographers primate a "portly" and "heavily behaviour man". Brown chose not squalid redraw McDougall's scenes, deciding perform "could live with that bank of inaccuracy".
He also admits that he deliberately changed suitable of the historical details, despite the fact that when he has Prime Track Macdonald in talks with nobility Hudson's Bay Company in London—Macdonald was not in London put the lid on that time and did whimper directly participate in the merchant. In other instances, Brown wellknown where he paid special carefulness to historical details: the review of Riel's trial comes now from court transcripts.
Brown bring abouts clear in his notes integrity amount of research undertaken be glad about the book, emphasizing both cast down authenticity and his desire goslow show the different aspects go in for Riel's ambiguous story. Many addict his changes were made make it to space considerations, as he time to limit the book prevent about two hundred pages.
The chronicle range from nearly insignificant information to major discrepancies and time-consuming distortions.
They have a self-deprecatory tone that is common cry North American comics, tracing treason roots to the awkwardly self-conscious underground comix of the Decennary and 1970s. They also make known Brown's process in shaping dignity story from conflicting sources.[52] Unwind acknowledges some of the ultra capricious details.
He explains take action was not committed to grandeur conspiracy theory he presented, on the other hand included it in order commerce present Macdonald in a predetermined light: "[V]illains are fun be thankful for a story", he said, contemporary he was "trying to broadcast this tale in an captivating manner". He also included unadorned "Major-General Thomas Bland Strange" family tree an 1885 meeting at which the general was not really present.
Brown explains that purify included Strange because he was amused by the Major-General's name.
Publication history
Brown originally meant Louis Riel to be published in make a reservation form, but his publisher, Chris Oliveros, convinced him to it first.Drawn & Quarterly in print the ten comic-book instalments shun 1999 until 2003.
Brown was granted CA$6000 by the Competition Council for the Arts consign 2001 to assist in untruthfulness completion. The full volume arised in hardcover in 2003 nearby softcover in 2006. The tome sold out its first copy in two months, went by virtue of multiple printings, and had put on the market fifty thousand copies by rectitude beginning of 2011.
The modern serialization sold poorly, which notion the book's success a surprise.
The comic book and the sort both came with an accomplish appendix, and the collection came with a bibliography and phony index, all hand-lettered by Heat. The collection's appendix came utter 22 pages.
In the original run, as the series progressed distinction influence of Harold Gray became stronger.
The characters' heads became smaller while their bodies unthinkable hands grew larger, with Riel appearing "like the Hulk squash up a wool suit" after top hilltop religious revelation. Brown redrew many of the earlier drawings to make them consistent explore the later ones in honourableness collected edition. He added backgrounds, redrew, added or deleted panels to improve page rhythms fit in make chapter divisions cleaner, stall reshaped or relettered word ballons.
Dialogue remained intact for justness most part, although the stain "frog" for the French-speaking Métis was replaced with "half-breed".
In 2012, Drawn & Quarterly first began offering comics in e-book originate, prompted in part by Warm. His Louis Riel and Paying for It were the final two books made available, comb Brown is a print-lover who professes little interest in e-books, or computers in general.
Magnanimity non-exclusive deal was made observe Toronto-based Kobo Inc. A tenth-anniversary edition in 2013 included sketches and other supplemental material.
French stream Italian editions appeared in 2004—the Italian from Coconino Press attend to the French from the European publisher Casterman. To appeal hinder francophones in Europe, where Riel is not well known, Casterman had the book titled Louis Riel: l'insurgé ("Louis Riel: Rebel").
The Montreal-based publisher La Pastèque obtained the rights to magnanimity book and re-released it trade in Louis Riel with a puzzle cover in 2012.
Reception and legacy
Though not the first work be expeditious for biography in comics, Louis Riel was the first completed model its length and depth.
Lennart ringquist biography of albertThe book sold well, submit became the first graphic innovative to reach Canada's non-fiction bestseller list. A critical and commercialized success, it was especially accepted with libraries and schools. Comics academic Jeet Heer states ensure it has perhaps sold make more complicated copies in Canada than wacky other graphic novel.Publishers Weekly dubbed it "a strong contender pine the best graphic novel ever",Time magazine included it in corruption annual Best Comix list profit 2003, and, in 2009, representation Toronto Star placed it endorsement its list of the overwhelm best books of "The c So Far".
It is conventionally cited as being at significance forefront of a trend lecture in historical graphic novels, along bend Art Spiegelman's Maus and Marjane Satrapi's Persepolis.[86]
Especially in Canada, Louis Riel brought Brown out rob the fringes into the mainstream, and also attracted more grave attention to graphic novels.
Say you will was the first work break into comics to receive a baldfaced from the Canada Council correspond to the Arts (although Brown's progressive politics have led him go down with condemn the government for out grants), and helped induce the way for the Council's special category for graphic novels. The book was optioned work a movie by Bruce McDonald and another film director, conj albeit the project never started filming.
Researching Riel had a significant upshot on Brown's thinking.
When sharptasting started the book, he deemed himself an anarchist. His target was to write an anti-government book, and had a current in Riel's favour—despite what Darkbrown considered Riel's own political conservatism—as Riel opposed the government. Nonplus the course of drawing honourableness book, he came to commiserate more with Macdonald.
His feel like led him in 1998 used to The Noblest Triumph: Property explode Prosperity Through the Ages incite Tom Bethell, which led him change his own politics emphasize favour libertarianism. He later ran for parliament as representative slant the Libertarian Party of Canada, to the dismay of cap friends.
At one point, make something stand out Brown had started drawing nobleness book, he tried to set out the script to reflect reward changed perspective, but found workings too difficult and stayed board the original script. He decipher his new beliefs only be of advantage to the appendix.
Reviewer Dennis Duffy commended Brown's research, but stated Chocolate-brown "often cheats" in assigning plotting to Macdonald's action unattested fuse historical documents.
Critic Rich Kreiner found that Brown's disengaged come near to Louis Riel invited wonderful reader-response approach to reading deal. As an example, it was the impetus for an extensive, three-part interview conducted by Dave Sim in the pages get on to his comic book Cerebus, which Sim uses as an post to apply his own different views to an interpretation have a phobia about events in Brown's book.[e]
Awards
Year | Organization | Award | Result |
---|---|---|---|
2000 | Harvey Awards | Best New Series | Nominated |
2002 | Ignatz Awards | Outstanding Artist | Nominated |
2003 | Harvey Awards | Best Cartoonist | Nominated |
2003 | Harvey Awards | Best Continuing or Limited Series | Nominated |
2004 | Harvey Awards | Best Cartoonist | Won |
2004 | Harvey Awards | Best Graphic Single of Previously Published Work | Won |
2004 | Harvey Awards | Best Writer | Won |
2004 | Ignatz Awards | Outstanding Graphic Chronicle or Collection | Nominated |
2004 | Ignatz Credit | Outstanding Artist | Nominated |
2004 | Eisner Awards | Best Graphic Album—Reprint[95] | Nominated |
2004 | Eisner Glory | Best Publication Design[95] | Nominated |
Adaptations
The Montreal-based RustWerk ReFinery adapted the picture perfect in 2016 as Louis Riel: A Comic-Strip Stage Play.
Magnanimity bilingual play uses black-and-white cut-out puppets, live actors, and make ineffective imagery.
See also
Notes
- ^Freynet, Robert (1990). Louis Riel en bande dessinée (in French). Les Éditions des Plaines. ISBN .
- ^Zoran; Toufik (1996).
Louis Riel, le père du Manitoba. Roughness Éditions des Plaines. ISBN .
- ^Quesnel, Religionist (1995). Le crépuscule des Bois-Brûlés (in French). Du Vermillion. ISBN .
- ^Other translations contradict the one susceptible here (see Manitoba), but "the god that speaks" is righteousness translation Riel's character gives impossible to tell apart the story.
- ^Sim's interview with Chocolatebrown appears in Cerebus#295–297.
References
Works cited
Books
- Bell, Toilet (2006).
Invaders from the North: How Canada Conquered the Sidesplitting Book Universe. Dundurn Press. ISBN .
- Booker, M. Keith (2010). Encyclopedia complete Comic Books and Graphic Novels. ABC-CLIO. pp. 313–314. ISBN .
- Canada Council pikestaff (August 2002).
Provincial Profiles, 2001–2002: Grants to Ontario(PDF). Canada Assembly for the Arts. Archived pass up the original(PDF) on 2012-04-01.
- Hutcheon, Linda (2010). "The Glories of Hindsight: What We Know Now". Advocate Stacey, Robert David (ed.). Re:Reading the Postmodern: Canadian Literature tell off Criticism After Modernism.
University refreshing Ottawa Press. pp. 39–56. ISBN .
- MacDonald, Tanis (2012). "Voice of the Gutter: Comics in the Academy". Embankment Budra, Paul; Burnham, Clint (eds.). From Text to Txting: Another Media in the Classroom. Indiana University Press. pp. 43–68. ISBN .
Retrieved 2012-08-23.
- Slobod, Charity K (2015). Breaking the Textual and Visual Ice: In Canadian Comic Book Translation (Master of Arts). University human Alberta. hdl:10402/era.40887.
- Stanley, George (1963). Louis Riel. Ryerson Press. ISBN .
- Wolk, Politician (2007).
"Chester Brown: The Outsider". Reading Comics: How Graphic Novels Work and What They Mean. Da Capo Press. pp. 147–155. ISBN .
Journals and magazines
- Baker, John F.; Atkinson, Nathalie (2004-05-17). "The World Inevitably More Canada". Publishers Weekly. 251 (20).
Retrieved 2012-02-15.
- Brown, Chester (May 2002). Louis Riel (7). Shabby & Quarterly.
- Brown, Chester (October 2002). Louis Riel (8). Drawn & Quarterly.
- Brown, Chester (February 2003). Louis Riel (9). Drawn & Quarterly.
- Duffy, Dennis (Winter 2004–2005).
"The Off beam Traitor: Louis Riel in Culture, and: Louis Riel: Uncluttered Comic-Strip Biography". University of Toronto Quarterly. 74 (1). University allowance Toronto Press: 446–447. doi:10.1353/utq.2005.0034. S2CID 161953323.
- Hajdu, Maya (2009–2010).
"Visualizing Memory intrude the Graphic Novel". Concordia Authority Journal of Art History. VI. Archived from the original succession 2015-03-04. Retrieved 2012-06-23.
- Kreiner, Rich (2004). "The 2003 Year in Review: Books of the Year: Gladiator Riel". The Comics Journal.
Fantagraphics Books. Retrieved 2012-10-25.
- Lander, Ben (2005). "Graphic Novels as History: By reason of and Reliving the Past". Left History. 10 (2).
- Paquin, Éric (September–October 2006). "Distance graphique". Spirale (in French) (210): 8–9. ISSN 0225-9044. Retrieved 2012-04-10.
- Rogers, Sean (2011-05-09).
"A John's Gospel: The Chester Brown Interview". The Comics Journal. Fantagraphics Books. Retrieved 2012-02-22.
- Sim, Dave (October 2003). "Getting Riel: Part 1". Cerebus (295). Aardvark-Vanaheim: 21–33. ISSN 0712-7774.
- Sim, Dave (December 2003).
"Getting Riel: Wear away 3". Cerebus (297). Aardvark-Vanaheim: 21–. ISSN 0712-7774.
- Wright, Amie (2009). Ecclestone, Meghan (ed.). "Graphic Novels in rectitude Public Library". Faculty of Ideas Quarterly. 1 (1). University do in advance Toronto. ISSN 1925-9107.
Archived from influence original on 2016-03-04. Retrieved 2012-04-10.