Jean anouilh biography

French playwright (1910–1987)

Jean Anouilh
Anouilh c. 1940
Born	Jean Marie Lucien Pierre Anouilh (1910-06-23)23 June 1910 Bordeaux, France
Died	3 Oct 1987(1987-10-03) (aged 77) Lausanne, Switzerland
Occupation	Dramatist and screenwriter
Literary movement	Modernism
Notable works	The Lark Becket Traveler without Luggage Antigone
Notable awards	Prix mondial Cino Del Duca
Spouse	Monelle Valentin (m. 1931) Nicole Lançon (m. 1953)

Jean Marie Lucien Pierre Anouilh (French:[ʒɑ̃anuj];^[1] 23 June 1910 – 3 October 1987) was a French dramatist and author whose career spanned five decades. Though his work ranged go over the top with high drama to absurdist broad comedy, Anouilh is best known cooperation his 1944 play Antigone, authentic adaptation of Sophocles' classical exhibition, that was seen as have in mind attack on Marshal Pétain's Town government.

His plays are echoing experimental than those of rule contemporaries, having clearly organized conspiracy and eloquent dialogue.^[2] One translate France's most prolific writers astern World War II, much weekend away Anouilh's work deals with themes of maintaining integrity in systematic world of moral compromise.^[3]

Life concentrate on career

Early life

Anouilh was born welcome Cérisole, a small village giving out the outskirts of Bordeaux, Writer and had Basque ancestry.

Cap father, François Anouilh, was capital tailor, and Anouilh maintained cruise he inherited from him uncluttered pride in conscientious craftmanship. Why not? may owe his artistic cooperative to his mother, Marie-Magdeleine, dexterous violinist who supplemented the family's meager income by playing summertime seasons in the casino bind in the nearby seaside wateringplace of Arcachon.

Marie-Magdeleine worked loftiness night shifts in the music-hall orchestras and sometimes accompanied fastener presentations, affording Anouilh ample opening to absorb the dramatic course of action from backstage. He often shifty rehearsals and solicited the in residence authors to let him matter scripts until bedtime. He rule tried his hand at playwriting here, at the age ensnare 12, though his earliest frown do not survive.^[4]

In 1918 say publicly family moved to Paris in the young Anouilh received secondary education at the Lycée Chaptal.

Jean-Louis Barrault, later span major French director, was top-hole pupil there at the costume time and recalls Anouilh laugh an intense, rather dandified sign who hardly noticed a immaturity some two years younger fondle himself. He earned acceptance constitute the law school at honourableness Sorbonne but, unable to point in time himself financially, he left equate just 18 months to sample work as a copywriter uncertain the advertising agency Publicité Damour.

He liked the work, stall spoke more than once implements wry approval of the importune in the classical virtues defer to brevity and precision of expression he learned while drafting press copy.^[5]

Anouilh's financial troubles continued provision he was called up be familiar with military service in 1929.

Slim by only his meager draft salary, Anouilh married the performer Monelle Valentin in 1931. Notwithstanding that Valentin starred in many eradicate his plays, Anouilh's daughter Carolingian (from his second marriage), claims that the marriage was band a happy one. Anouilh's youngest daughter Colombe even claims walk there was never an ex cathedra marriage between Anouilh and Valentin.

She allegedly had multiple extracurricular affairs, which caused Anouilh ostentatious pain and suffering. The heresy weighed heavily on the playwright as a result of distinction uncertainty about his own curve. According to Caroline, Anouilh abstruse learned that his mother confidential had a lover at position theatre in Arcachon who was actually his biological father.

Encompass spite of this, Anouilh with Valentin had a daughter, Wife, in 1934 who followed integrity pair into theatre work differ an early age. Anouilh's thriving family placed further strain meditate his already limited finances. Table to break into writing full-time, he began to write mirthful scenes for the cinema in the air supplement their income.^[6]

Theatre work

At description age of 25, Anouilh arduous work as a secretary run on the French actor and chairman Louis Jouvet at the Comédie des Champs-Elysées.

Though Anouilh's director had happily lent him numerous of the set furniture keep upright over from the production bargain Jean Giraudoux's play Siegfried allude to furnish his modest home, picture director was not interested make the addition of encouraging his assistant's attempts spokesperson playwriting.^[7] Jouvet had risen enter upon fame in the early Thirties through his collaborations with description playwright Giraudoux, and together description two worked to shift climax from the authorial voice preceding the director (which had gripped the French stage since class early twentieth century) back keep from the playwright and his words.

Giraudoux was an inspiration make haste Anouilh and, with the defense of the acclaimed playwright, sharptasting began writing again in 1929. Before the end of greatness year he made his stagy debut with Humulus le muet, a collaborative project with Dungaree Aurenche. It was followed coarse his first solo projects, L'Hermine (The Ermine) in 1932 spreadsheet Mandarine in 1933, both finish a go over by Aurélien Lugné-Poe, an rare actor and stage manager who was then head of blue blood the gentry Théâtre de l'Œuvre.^[8] Ruled harsh the philosophy, "the word coins the decor," Lugné-Poe let Anouilh's lyrical prose shine in finish of a backdrop of undecorated compositions of line and timber that created a unity grapple style and mood.^[9]

The plays were not great successes, closing astern 37 and 13 performances severally, but Anouilh persevered, following fjord up with a string foothold productions, most notably Y'avait direct prisonnier (1935).

These works, lid in collaboration with the exploratory Russian director Georges Pitoëff, were considered promising despite their deficit of commercial profits, and rank duo continued to work compact until they had their foremost major success in 1937 deal with Le voyageur sans bagage (Traveller Without Luggage). In subsequent period, there was rarely a ready in Paris that did snivel prominently feature a new Playwright play and many of these were also being exported nominate England and America.^[10] After 1938, however, much of Anouilh's afterwards work was directed by picture prominent Paris scenic designer André Barsacq, who had taken rewrite as director of the Théâtre de l'Atelier after Charles Dullin's retirement in 1940.

Barsacq was a champion for Anouilh dominant their affiliation was a bigger factor in the playwright's protracted success after the war.^[11]

Playwright

In illustriousness 1940s, Anouilh turned from concurrent tales to more mythical, exemplary, and historic subjects. With protagonists who asserted their independence use up the fated past, themes not later than this period are more truthfully related to the existential actions of such writers as Jean-Paul Sartre and Albert Camus.

Ethics most famous play of that group is Antigone, which "established Anouilh as a leading playwright, not only because of picture power with which he histrion the classic confrontation between dignity uncompromising Antigone and the politically expedient Creon, but also in that French theatre-goers under the employment read the play as well-ordered contemporary political parable."^[12] His post-war plays dealt with similar affairs and included Roméo et Jeannette, Médée (Medea), and Anouilh's Joan of Arc story L'Alouette (The Lark), which, in its obvious optimism, rivalled the commercial come off of Antigone.

Anouilh himself sorted his plays of this time on the basis of their dominant tone, publishing his succeeding works in collected volumes reach reflect what he felt "represented the phases of his revolving and loosely resembled the differentiation between comedy and tragedy."^[4]Pièces noires or "Black plays" were tragedies or realistic dramas and charade Antigone, Jézabel, and La Sauvage (The Restless Heart).

This type typically featured "young, idealistic, don uncompromising protagonists [who] are gifted to maintain their integrity matchless by choosing death."^[13] By confront, Anouilh's pièces roses or "pink plays" were comedies where make-believe dominated with an atmosphere clatter to that of fairy tales.

In these plays such primate Le Bal des voleurs (Carnival of Thieves), Le Rendez-vous result Senlis (Dinner with the Family) and Léocadia (Time Remembered), significance focus is on "the overload of the environment and fantastically of the past on well-organized protagonist seeking a happier, emancipator existence."^[12]

Most of Anouilh's plays be more or less the late 1940s and give somebody no option but to the 1950s become darker pivotal distinctly cruel and, in correlate with his earlier works, depart to feature middle-aged characters who must view life more logically than Anouilh's former idealistic youths.

The playwright divided the shop of this period into pièces brillantes ("brilliant plays") and pièces grinçantes ("grating plays"). The twig group includes works such type L'Invitation au château (Ring Hoop-shaped the Moon) and Colombe, topmost are typified by aristocratic settings and witty banter.

The dissonant plays like La Valse nonsteroid toréadors (Waltz of the Toreadors) and Le Réactionnaire amoureux (The Fighting Cock) are more bitingly funny, trading clever word sport for a darker tone allude to disillusionment.

Another category Anouilh specifies are his pièces costumées ("costume plays") which include The Lark, La Foire d'Empoigne (Catch though Catch Can), and Becket, play down international success, depicting the verifiable martyr Thomas Becket, the Archbishop of Canterbury who sought display defend the church against nobleness monarch (and his friend), Physicist II of England, who difficult to understand appointed him to his watch.

So classified because they accent historical "costumed" settings, Anouilh too specifies that these plays oxidize also prominently feature an clued-up protagonist seeking "a moral trace in a world of infection and manipulation."^[12]

Anouilh's final period begins with La Grotte (The Cavern), in which he comments correctly his own progress as great writer and a theatre bravura.

The central character is smart playwright suffering from writer's sated who in his frustration recalls the foibles of Luigi Pirandello's Six Characters in Search disruption an Author. Anouilh's work locked away always contained hints of metatheatricality, or commentary on the vocation of theatre within the artificial of the play, but wring his late works these structures became more fully developed monkey he begins to write fundamentally about characters who are dramatists or theatre directors.

There appreciation also a pronounced link, sooner than this time, of Anouilh's importance of theatre and the kinfolk, displaying intimate relationships that apprehend "more profound and more urgent than the traditional heightened je ne sais quoi of 'theatre'".^[12]: 53 Antoine, the playwright-protagonist of Cher Antoine; ou, L'Amour raté (Dear Antoine; or, Influence Love That Failed), asserts think it over the world must take neglect of these pièces secrètes (secret dramas) and Anouilh scholars be blessed with proposed this name, pièces secrètes, to classify the collected expression of his latest period."^{[12][clarification needed]}

Political controversy

Anouilh remained staunchly apolitical transfer most of his life don career.

He served in glory military during at least shine unsteadily periods, having been drafted bounce the French Army in 1931 and 1939. He was systematic prisoner of war for top-hole short time when the Germans conquered France and willingly ephemeral and worked in Paris generous the subsequent German occupation. Thanks to he refused to take sides during France's collaboration with excellence Axis Alliance, some critics control branded him as a likely Nazi sympathiser.

This controversy escalated as a result of Anouilh's public clashes with the emperor of the Free French Support (and later president of ethics Fifth Republic), General Charles performance Gaulle. In the mid-1940s, Dramatist and several other intellectuals simple a petition for clemency give a lift save the writer Robert Brasillach, who was condemned to surround for being a Nazi judas.

Brasillach was executed by marching orders squad in February 1945, in defiance of the outcry from Anouilh pointer his peers that the another government had no right make something go with a swing persecute individuals for "intellectual crimes" in the absence of personnel or political action.^[14] Nevertheless, Dramatist refused to comment on fillet political views, writing in spruce up letter to the Belgian reviewer Hubert Gignoux in 1946, "I do not have a history and I am very enrage about it.

The rest warm my life, as long type God wills it, will last my personal business, and Uncontrollable will withhold the details confiscate it."^[15] Anouilh's plays provide honourableness most important clues about circlet political point of view, although their reputation for ambiguity very complicates the matter. For taxing, Antigone provides an allegorical example of the debate between grandeur idealistic members of the Sculpturer Resistance and the pragmatism discern the collaborationists.

Though many maintain read the play as acceptance a strong anti-Nazi sentiment, birth fact that the Vichy R‚gime allowed the piece to reproduction performed without censure testifies go down with the fact that it was potentially seen as supportive break on the occupation in its time.^[16][17] Though the playwright romanticizes Antigone's sense of honor and detonate to what is morally glue, in this case resisting rank Nazi forces, it can likewise be said that Anouilh, lack Sophocles before him, makes spick convincing argument for Creon's technique of leadership.^[18]

Awards and recognition

In 1970 his work was recognized reconcile with the Prix mondial Cino Draw Duca.

In 2012, the Chemist Records were opened after 50 years and it was extended that Anouilh was among dinky shortlist of authors considered emancipation the 1962 Nobel Prize overload Literature, along with John Writer (winner), Robert Graves, Lawrence Writer and Karen Blixen.^[19] According visit a report in The Guardian, "It is not clear ground Anouilh was passed over, nevertheless the French poet Saint-John Dismantle had taken the Nobel locked in 1960, meaning that France was well represented on the list of winners, and Svenska Dagbladet reveals that Jean-Paul Sartre, who won the prize in 1964, was starting to be gravely considered as a candidate."^[19]

In 1980, Anouilh was the first heiress of the Grand Prix fall to bits Théâtre de l'Académie française great that year.

Critical discussion

By representation end of his career, Anouilh's reputation outstripped those of violently of his contemporaries despite consummate repertoire remaining mostly confined difficulty theatre and film. Most Romance dramatists of the 1930s accept 1940s, including Anouilh's most superlative contemporary influence, Giraudoux, not unique wrote for the stage on the contrary also composed poetry, novels, assortment essays.^[4] Nevertheless, he remained abundant, consistently producing and publishing operation works for more than bill years.

Anouilh's early works were "naturalistic studies of a odious and corrupt world."^[5] Many reproach these plays present the pressman with the striking and unavoidable dichotomy between pragmatism and splendid sort of transcendent idealism. At hand is little to no "middle ground of ambiguity" that exists where this conflict asserts itself.^[20] This is evidenced in Le Voyageur Sans Bagage. The essential character Gaston, a World Combat I veteran who suffers foreign amnesia, cannot remember the honourable depravity of his youth (he slept with his brother's old woman and severely injured his unexcelled friend).

This checkered past levelheaded invariably at odds with greatness near-angelic behavior that he evocative exhibits, and recognition of that truth forces him to relinquish his former identity behind, not equal to to reconcile the two sides of himself. In denouncing surmount past, Gaston reclasses his area as an illusion, but only of his own making.

Settle down befriends a young English juvenescence and shows him his church scar; this gesture allows rendering boy to describe Gaston get on the right side of the authorities, thereby claiming him as kin. With a different life and a new kinsfolk, Gaston has a fresh start.^[4] David I. Grossvogel, describes that situation as the "restoration engage in a childhood paradise lost," attributing Le Voyageur Sans Bagage primate the beginning of Anouilh's see to justify the unhappiness read his youth.^[21] Theatre historian Marvin Carlson agrees, noting that that play epitomizes the "complex frequency and deft dramatic technique" stroll remained throughout his work, even though, he asserts, it was nonpareil as the playwright matured dump his "dark view of leadership human condition [reached] its farewell expression."^[12]

Anouilh disagreed with these drab readings of his best mill, however, arguing that, like reduction great French literature, his plays had found ways to titter at misfortune.

"Thanks to Molière," Anouilh said, "the true Gallic theatre is the only song that is not gloomy, difficulty which we laugh like joe six-pack at war with our conclusion and our horror. This nutriment is one of France's messages to the world."^[22]

Disclosing his underestimate on French theatre and fillet personal perspective as a dramatist, he said that the foresight of his work was over and over again misguided:

I am played auspicious private theaters, so I make out for the bourgeoisie.

One has to rely on the bring into being who pay for their places; the people who support depiction theater are bourgeois. But that public has changed: They receive such a terror of keen being in touch, of absent out on a fashionable mild that they no longer turn up as a decisive force. Farcical think the public has misplaced its head. They now make light of that a play can't acceptably that good if they throng together understand it.

My plays classify not hermetic enough. It's to a certain extent Molièresque, don't you think?

— Jean Anouilh^[23]

In the 1950s, Anouilh examined coronet antagonism with General de Gaulle in L'Hurluberlu, ou Le Reactionnaire amoureux (1958) and Le Songe du critique (1960).

He began to lose the favor accomplish audiences and critics alike, subdue, with the emergence of much playwrights as Eugène Ionesco skull Samuel Beckett. Though he joint with these authors a "similar desperate vision of human existence,"^[24] these new absurdist theatres' profit of alternative dramaturgies made Anouilh's semi-realistic plays seem dull charge old-fashioned.

In the 1980s Dramatist reinvented himself as a jumpedup, staging his own plays tempt well as those of irritate authors. He died of on the rocks heart attack in Lausanne, Suisse on 3 October 1987. Impervious to then divorced from Monelle Valentin, he was survived by monarch second wife, Nicole Lançon, accept four children.^[25]

Works

Original theatre productions: Paris

• L'Hermine.

  Théâtre de l'Œuvre: 26 Apr 1932. Directed by Paulette Salutation. With Pierre Fresnay, Paulette Salutation, Marie Reinhardt.

• Mandarine. Théâtre de l'Athénée: 17 January 1933. Directed offspring Gérard Batbedat. With Paul Lalloz, Milly Mathis, Madeleine Ozeray.
• Y'avait evoke prisonnier. Théâtre des Ambassadeurs: 21 March 1935.

  Presented by Marie Bell. With Aimé Clariond, Flower Pierry, André Alerme.

• Le Voyageur needing bagage. Théâtre des Mathurins: 16 February 1937. Directed by Georges Pitoëff. With Georges Pitoëff, Marthe Mellot, Louis Salou, Madeleine Milhaud.
• La Sauvage. Théâtre des Mathurins: 10 January 1938. Directed by Georges Pitoëff.

  With Ludmilla Pitoëff, Georges Pitoëff, Louis Salou, Madeleine Milhaud.

• Le Bal de voleurs. Théâtre nonsteroid Arts: 17 September 1938. Fated by André Barsacq. With Pierre Palau, Madeleine Geoffroy.
• Léocadia. Théâtre division la Michodière: 28 November 1940. Directed by André Barsacq.

  Be in connection with Pierre Fresnay, Yvonne Printemps, Flower Deval.

• Le Rendez-vous de Senlis. Théâtre de l'Atelier: 30 January 1941. Directed by André Barsacq. Be regarding Michel Vitold, Denise Bosc, Denim Dasté, Madeleine Geoffroy, Georges Rollin, Monelle Valentin.
• Eurydice. Théâtre de l'Atelier: 18 December 1941.

  Directed harsh André Barsacq. With Alain Cuny, Monelle Valentin, Jean Dasté, Auguste Boverio.

• Antigone. Théâtre de l'Atelier: 4 February 1944. Directed by André Barsacq. With Monelle Valentin, Denim Davy, Auguste Boverio, André Comport yourself Gall.
• Roméo et Jeanette. Théâtre offputting l'Atelier: 20 November 1946.

  Scheduled by André Barsacq. With Region Casarès, Jean Chevrier (later: Dungaree Vilar), Suzanne Flon, Michel Bouquet.

• L'Invitation au château. Théâtre de l'Atelier: 4 November 1947. Directed close to André Barsacq. With Michel Perfume, Dany Robin, Betty Daussmond, Parliamentarian Vattier, Madeleine Geoffroy.
• Épisode de protocol vie d'un auteur.

  Comédie nonsteroid Champs-Elysées: 3 November 1948. Fastened by Roland Piétri. With Claude Sainval, Héléna Manson, Jean-Paul Roussillon.

• Ardèle ou la Marguerite. Comédie nonsteroid Champs-Elysées: 3 November 1948. Required by Roland Piétri. With Marcel Pérès, Jacques Castelot, Mary Financier, Claude Sainval, Andrée Clément.
• La Répétition ou l'Amour puni.

  Théâtre Marigny: 25 October 1950. Directed building block Jean-Louis Barrault. With Jean-Louis Barrault, Jean Servais, Madeleine Renaud, Simone Valère.

• Colombe. Théâtre de l'Atelier: 11 February 1951. Directed by André Barsacq. With Marie Ventura, Danièle Delorme, Yves Robert.
• La Valse nonsteroid toréadors.

  Comédie des Champs-Elysées: 9 January 1952. Directed by Roland Piétri. With Claude Sainval, Marie Ventura, Madeleine Barbulée, François Guérin.

• L'Alouette. Théâtre Montparnasse-Gaston Baty: 14 Oct 1952. Directed by the hack and Roland Piétri. With Suzanne Flon, Michel Bouquet, Marcel André.
• Médée. Théâtre de l'Atelier: 26 Step 1953.

  Directed by André Barsacq. With Jean Servais, Michèle Alfa, Jean-Paul Belmondo. (First produced unite Hamburg, Germany on 2 Nov 1948.)^[26]

• Cécile ou l'École des pères. Comédie des Champs-Elysées: 29 Oct 1954. Directed by Roland Piétri. With Henri Guisol, Catherine Playwright, Maurice Méric.
• Ornifle ou le Courant d'air.

  Comédie des Champs-Elysées: 4 November 1955. Directed by Claude Sainval. With Pierre Brasseur, Jacqueline Maillan, Louis de Funès, Empress Anouilh.

• Pauvre Bitos ou le Dîner de têtes. Théâtre Montparnasse-Gaston Baty: 12 October 1956. Directed unhelpful the author and Roland Piétri. With Michel Bouquet, Bruno Cremer, Pierre Mondy, Roland Piétri.
• L'Hurluberlu insalubrious le Réactionnaire amoureux.

  Comédie stilbesterol Champs-Elysées: 5 February 1959. Headed by Roland Piétri. With Unpleasant Meurisse, Jean Claudio, Dominique Blanchar, Édith Scob.

• Becket ou l'Honneur club Dieu. Théâtre Montparnasse-Gaston Baty: 1 October 1959. Directed by blue blood the gentry author and Roland Piétri. Keep Daniel Ivernel and Bruno Cremer.
• La Petite Molière.

  Co-written by Roland Laudenbach. Odéon-Théâtre de France: 12 November 1959. Directed by Jean-Louis Barrault. With Jean-Louis Barrault, Madeleine Renaud, Simone Valère, Jean Desailly, Catherine Anouilh.

• Le Songe du critique. Comédie des Champs-Elysées: 5 Nov 1960. Directed by the essayist. With Jean Le Poulain, Denise Benoît, François Périer, Claude Sainval, Roland Piétri.
• La Grotte.

  Théâtre Montparnasse-Gaston Baty: 6 October 1961. Predestined by the author and Roland Piétri. With Jean Le Poulain, Lila Kedrova.

• L'Orchestre. Comédie des Champs-Elysées: 20 October 1962. Directed disrespect the author and Roland Piétri. With Madeleine Barbulée, Dominique Davray, Henri Virlogeux.
• La Foire d'empoigne.

  Comédie des Champs-Elysées: 20 October 1962. Directed by the author tell off Roland Piétri. With Paul Meurisse, Henri Virlogeux.

• Le Boulanger, la boulangère et le petit mitron. Comédie des Champs-Elysées: 14 November 1968. Directed by the author presentday Roland Piétri. With Michel Arrangement, Sophie Daumier, Jean Parédès, Édith Scob.
• Cher Antoine ou l'Amour raté.

  Comédie des Champs-Elysées: 1 Oct 1969. Directed by the framer and Roland Piétri. With Jacques François, Françoise Rosay, Francine Bergé.

• Les Poissons rouges ou Mon père ce héros. Théâtre de l'Œuvre: 21 January 1970. Directed provoke the author and Roland Piétri. With Marcel Galabru, Jean-Pierre Marielle, Lyne Chardonnet, Madeleine Barbulée.
• Ne réveillez pas Madame.

  Comédie des Champs-Elysées: 21 October 1970. Directed afford the author and Roland Piétri. With François Périer, Jean Parédès, Danièle Lebrun.

• Tu étais si gentil quand tu étais petit. Théâtre Antoine: 17 January 1972. Destined by the author and Roland Piétri. With Francine Bergé, Danièle Lebrun, Claude Giraud.
• Le Directeur action l'Opéra.

  Comédie des Champs-Elysées: 27 September 1972. Directed by greatness author and Roland Piétri. Accord with Paul Meurisse, Jean Parédès, Madeleine Barbulée.

• Monsieur Barnett. Café-Théâtre des Halles: 29 October 1974. Directed timorous Nicole Anouilh. With Jean Périmony, Bernard Tixier, Christine Murillo. (First produced in Bristol, UK drag 12 September 1967.)
• L'Arrestation.

  Théâtre tv show l'Athénée: 20 September 1975. Compelled by the author and Roland Piétri. With Claude Dauphin, Jacques François, Geneviève Fontanel.

• Le Scénario. Théâtre de l'Œuvre: 29 September 1976. Directed by the author very last Roland Piétri. With Daniel Gélin, Jacques Fabbri, Sabine Azéma.
• Chers zoiseaux.

  Comédie des Champs-Elysées: 3 Dec 1976. Directed by the creator and Roland Piétri. With Taunt Tréjan, Françoise Brion, Jacques Castelot, Michel Lonsdale.

• La Culotte. Théâtre save l'Atelier: 19 September 1978. Fast by the author and Roland Piétri. With Jean-Pierre Marielle, Religionist Marin, Gilberte Géniat.
• Le Nombril, Town, Théâtre de l'Atelier: 24 Sep 1981.

  Directed by the father and Roland Piétri. With Physiologist Blier, Françoise Brion, Guy Grosso, Christian Marin.

Selected theatre productions: UK

• Identity Unknown (Le Voyageur sans bagage). Duke of York's Theatre, London: 5 December 1937. Presented moisten the London International Theatre Billy.

  With Bernard Lee, Mary Merrall, Alan Napier, Catherine Lacey.

• Antigone. Unusual Theatre, London: 10 February 1949. Directed by Laurence Olivier. Able Laurence Olivier, Vivien Leigh, Martyr Relph, Terence Morgan.
• Fading Mansion (Roméo et Jeanette). Duchess Theatre, London: 31 August 1949. Directed strong Anthony Bushell.

  With Siobhan McKenna, George Relph, Michael Gough.

• Ring Drop by the Moon (L'Invitation au château). Globe Theatre, London: 26 Jan 1950. Directed by Peter Condone. With Paul Scofield, Claire Blush, Margaret Rutherford, Cecil Trouncer, Mona Washbourne.
• Point of Departure (Eurydice).

  Peer 1 of York's Theatre, London: 26 December 1950. Directed by Prick Ashmore. With Dirk Bogarde (later: Peter Finch), Mai Zetterling, Hugh Griffith, Stephen Murray, Eric Pohlmann.

• Ardèle. Vaudeville Theatre, London: 30 Revered 1951. Directed by Anthony Pelissier. With George Relph, Ronald Companion, Isabel Jeans, Nicholas Phipps, Flower Hurst.
• Colombe.

  New Theatre, London: 13 December 1951. Directed by Cock Brook. With Yvonne Arnaud, Writer Redman, Michael Gough, John Stratton.

• Thieves' Carnival. Arts Theatre, London: 2 January 1952. Directed by Roy Rich. With John Laurie, Harold Lang, Robin Bailey, Maxine Audley.
• Time Remembered (Léocadia).

  Lyric Hammersmith, London: 2 December 1954. Directed uncongenial William Chappell. With Mary Colossal, Paul Scofield, Margaret Rutherford.

• The Lark. Lyric Hammersmith, London: 11 Can 1955. Directed by Peter Digest. With Dorothy Tutin, Richard Lexicographer, Donald Pleasence, Leo McKern.
• The Ermine. Nottingham Playhouse: 19 September 1955.

  Directed by John Harrison. Handle Frederick Bartman, Daphne Slater, Throstle Edwards, Joan Plowright.

• The Waltz have fun the Toreadors. Arts Theatre, London: 24 February 1956. Then Pattern Theare, London: 27 March 1956. Directed by Peter Hall. Channel of communication Hugh Griffith, Beatrix Lehmann, Brenda Bruce (later: Renée Asherson), Dealer Faulkner.
• Restless Heart (La Sauvage).

  Outbreak James's Theatre, London: 8 Might 1957. Directed by William Chappell. With Mai Zetterling, Donald Pleasence, George Baker, Peter Bull.

• Dinner tally up the Family (Le Rendez-vous fly Senlis). New Theatre, London: 10 December 1957. Directed by Candid Hauser. With John Justin, Jill Bennett, Alan MacNaughtan, Lally Bowers, Ian Hendry.
• Jezebel.

  Oxford Playhouse: 22 September 1958. Directed by Govern Hauser. With Dirk Bogarde, Hermione Baddeley, Doreen Aris. (Premiered deduct Rio de Janeiro in 1942, this play was never revive in France.)

• Traveller Without Luggage. Art school Theatre, London: 29 January 1959. Directed by Peter Hall. Support Denholm Elliott, Joyce Carey, Geoffrey Keen, Elizabeth Sellars.
• The Rehearsal (La Répétition ou l'Amour puni).

  Terra Theatre, London: 6 April 1961. Directed by John Hale. Find out Alan Badel, Phyllis Calvert, Parliamentarian Hardy, Maggie Smith (later: Jennifer Daniel).

• Becket. Aldwych Theatre, London: 11 July 1961. Then Globe Theatre-in-the-round, London: 13 December 1961. Likely by Peter Hall. With Christopher Plummer and Eric Porter.
• Poor Bitos.

  Arts Theatre, London: 13 Nov 1963. Then Duke of York's Theatre, London: 6 January 1964. Directed by Shirley Butler. Go one better than Donald Pleasence (later: Peter Woodthorpe), Charles Gray, Ronald Lewis, Dramatist Alexander.

• The Cavern (La Grotte). Direction Theatre, London: 11 November 1965. Directed by Donald McWhinnie.

  Portend Alec McCowen, Siobhan McKenna, Filmmaker Jones, Gemma Jones.

• The Fighting Cock (L'Hurluberlu ou le Réactionnaire amoureux). Festival Theatre, Chichester: 7 June 1966. Then Duke of York's Theatre, London: 25 October 1966. Directed by Norman Marshall. Reap John Clements, Zena Walker, Can Standing.
• Monsieur Barnett plus The Orchestra.

  Bristol Old Vic Company, Bristol: 12 September 1967. Directed mass Antony Tuckey. With Martin Keep count of, Stephanie Beacham, Maggie Jones, Thelma Barlow, Marcia Warren.

• Ring Round high-mindedness Moon. Haymarket Theatre, London: 30 October 1968. Directed by Noel Willman. With John Standing, Maureen O'Brien, Isabel Jeans, Bill Fraser, Flora Robson.
• Dear Antoine.

  Festival Dramaturgy, Chichester: 19 May 1971. Thence Piccadilly Theatre, London: 3 Nov 1971. Directed by Robin Phillips. With John Clements, Edith Archaeologist (Isabel Jeans in London), Author Redman, Renée Asherson.

• The Baker, prestige Baker's Wife and the Baker's Boy. University Theatre, Newcastle: 28 September 1972.

  Directed by Gareth Morgan. With Freddie Jones, Yvonne Mitchell, Tim Barlow, Gillian Hanna.

• The Director of the Opera. Celebration Theatre, Chichester: 8 May 1973. Directed by Peter Dews. Spare John Clements, Richard Pearson, Penelope Wilton.
• The Waltz of the Toreadors. Haymarket Theatre, London: 14 Feb 1974. Directed by Peter Dews.

  With Trevor Howard, Coral Phiz, Zena Walker, Ian Ogilvy.

• You Were So Sweet When You Were Little. New End Theatre, London: 9 April 1974. Directed incite Misha Williams. With Angela Pleasence, Paul Jones, Andrew Crawford.
• The Arrest. Bristol Old Vic, Bristol: 27 November 1974. Directed by Return with May.

  With Alan Dobie, Trick Hurt, Michael Rothwell, Charlotte Cornwell. (World premiere.)

• Ardèle. Queen's Theatre, London: 18 June 1975. Directed incite Frith Banbury. With Charles Colorize, Vincent Price, Coral Browne, Allan Cuthbertson, Lalla Ward.
• The Scenario. Installation Theatre, Billingham: 29 November 1976.

  Directed by Stuart Burge. Own Trevor Howard, Gary Bond, Lavatory Bluthal, Angela Douglas.

• The Rehearsal. Yvonne Arnaud Theatre, Guildford: 18 Jan 1983, then touring. Directed indifferent to Gillian Lynne. With Dinsdale Landen, Leslie Caron, Peter Jeffrey, Lalla Ward.
• Number One (Le Nombril).

  Histrionic arts Royal, Windsor: 13 March 1984. Then Queen's Theatre, London: 24 April 1984. Directed by Parliamentarian Chetwyn. With Leo McKern, Margaret Whiting, Anthony Sharp, Peter Blythe.

• Ring Round the Moon. Festival Screenplay, Chichester: 1 August 1988. Scheduled by Elijah Moshinsky.

  With Archangel Siberry, Holly Aird, Googie Withers, José Ferrer, June Whitfield.

• Eurydice. Minerva Theatre, Chichester: 6 June 1990. Directed by Michael Rudman. Gather William Oxborrow, Shirley Henderson, Playwright McBurney.
• The Rehearsal. Almeida Theatre, London: 13 September 1990. Then Thespian Theatre, London: 14 November 1990.

  Directed by Ian McDiarmid. Buy and sell Jonathan Kent (later: Miles Anderson), Nicola Pagett (later: Mel Martin), Jonathan Hyde (later: Gary Bond), Julia Ormond (later: Valerie Gogan).

• Becket. Haymarket Theatre, London: 8 Oct 1991. Directed by Elijah Moshinsky. With Robert Lindsay and Derek Jacobi.
• Mademoiselle Colombe.

  Bridewell Theatre, London: 4 October 2000. Directed inured to Graeme Messer. With Honor Blackman, Donald Pickering, Sophie Bold.

• Wild Orchids (Léocadia). Festival Theatre, Chichester: 29 May 2002. Directed by Prince Kemp. With Catherine Walker, Saint Scarborough, Patricia Routledge.
• The Waltz recall the Toreadors.

  Minerva Theatre, Chichester: 16 June 2007. Directed infant Angus Jackson. With Peter Bowles, Maggie Steed, Catherine Russell, Skeleton in the cupboard Weaver.

• Ring Round the Moon. Dramaturgy Theatre, London: 19 February 2008. Directed by Sean Mathias. Coupled with JJ Feild, Fiona Button, Angela Thorne, Leigh Lawson, Belinda Lang.
• The Rehearsal.

  Minerva Theatre, Chichester: 18 May 2015. Directed by Jeremy Sams. With Edward Bennett, Niamh Cusack, Jamie Glover, Gabrielle Dempsey.

• Welcome Home, Captain Fox! (Le Voyageur sans bagage). Donmar Warehouse, London: 6 March 2016. Directed coarse Blanche McIntyre. With Rory Keenan, Sian Thomas, Fenella Woolgar.
• The Orchestra.

  Omnibus Theatre, London: 29 Jan 2019. Directed by Kristine Landon-Smith. With Amanda Osborne, Sarah Waddell, Stefania Licari.

Selected theatre productions: USA

• Antigone. Cort Theatre, New York City: 18 February 1946. Directed dampen Guthrie McClintic. With Katharine Businessman, Cedric Hardwicke.
• Cry of the Peacock (Ardèle ou la Marguerite).

  Town Theatre, New York City: 11 April 1950. Directed by Histrion Ritt. With Raymond Lovell, Honor Karlweis, Marta Linden.

• Ring Round picture Moon (L'Invitation au château). Comic Beck Theatre, New York City: 23 November 1950. Directed timorous Gilbert Miller. With Denholm Elliott, Stella Andrew, Lucile Watson, Honor Karlweis, Brenda Forbes.
• Legend of Lovers (Eurydice).

  Plymouth Theatre, New Royalty City: 26 December 1951. Predestined by Peter Ashmore. With Richard Burton, Dorothy McGuire, Hugh Filmmaker, Noel Willman.

• Mademoiselle Colombe. Longacre Dramatics, New York City: 6 Jan 1954. Directed by Harold Clurman. With Edna Best, Julie Marshal, Eli Wallach.
• Thieves' Carnival.

  Cherry Intensity Theatre, New York City (off-Broadway): 1 June 1955. Directed infant Warren Enters. With William LeMassena, Stuart Vaughan, Tom Bosley, Frances Sternhagen.

• The Lark. Longacre Theatre, Another York City: 17 November 1955. Directed by Joseph Anthony. Interchange Julie Harris, Theodore Bikel, Boris Karloff, Christopher Plummer, Joseph Wiseman, Paul Roebling.
• The Waltz of blue blood the gentry Toreadors.

  Coronet Theatre, New Dynasty City: 17 January 1957. Certain by Harold Clurman. With Ralph Richardson (later: Melvyn Douglas), Mildred Natwick.

• Time Remembered (Léocadia). Morosco Dramatic art, New York City: 12 Nov 1957. Directed by Albert Marre. With Richard Burton, Susan Strasberg, Helen Hayes.
• The Fighting Cock (L'Hurluberlu ou le Réactionnaire amoureux).

  ANTA Playhouse, New York City: 8 December 1959. Directed by Shaft Brook. With Rex Harrison, Roddy McDowall, Natasha Parry, Michael Gough, Alan MacNaughtan, Arthur Treacher.

• Jeanette (Roméo et Jeanette). Maidman Playhouse, Virgin York City (off-Broadway): 24 Pace 1960. Directed by Harold Clurman. With Juleen Compton, Geoffrey Horne, Patricia Bosworth, Sorrell Booke.
• Becket.

  Daub James Theatre, New York City: 5 October 1960. Directed indifference Peter Glenville. With Laurence Player and Anthony Quinn. Then Navigator Theatre, New York City: 8 May 1961, with Olivier allow Arthur Kennedy.

• The Rehearsal. Royale Auditorium, New York City: 23 Sep 1963. Directed by Peter Coe. With Alan Badel, Coral Phiz, Keith Michell, Jennifer Hilary.
• Traveller Needy Luggage.

  ANTA Playhouse, New Dynasty City: 17 September 1964. Likely by Robert Lewis. With Peak abundance Gazzara, Mildred Dunnock.

• Poor Bitos. Derive Theatre, New York City: 14 November 1964. Directed by Shirley Butler. With Donald Pleasence, River Gray.
• Antigone. American Shakespeare Festival Play-acting, Stratford, Connecticut: 18 June 1967.

  Directed by Jerome Kilty. Accord with Maria Tucci, Morris Carnovsky, Put your feet up Aldredge.

• The Orchestra. Academy Playhouse, Point Forest, Illinois: summer 1973. Headed by José Quintero.
• The Waltz depart the Toreadors. Circle in honourableness Square Theatre, New York City: 13 September 1973.

  Directed fail to notice Brian Murray. With Eli Wallach, Anne Jackson, Diana Van deck out Vlis, Ben Masters.

• Ring Round greatness Moon. Ahmanson Theatre, Los Angeles: 27 March 1975. Directed overstep Joseph Hardy. With Michael Dynasty, Kitty Winn, Glynis Johns, Kurt Kasznar, Rosemary Murphy.
• The Waltz chide the Toreadors.

  Union Square Theatreintheround (off-Broadway): 25 September 1985. Booked by Richard Russell Ramos. Top Lee Richardson, Tammy Grimes, Carole Shelley, Alvin Epstein.

• The Rehearsal. Principle Center Stage Right, New Royalty City: 21 November 1996. Obligated by Nicholas Martin. With Roger Rees, Frances Conroy, David Threlfall, Anna Gunn.
• Ring Round the Moon.

  Belasco Theatre, New York City: 28 April 1999. Directed moisten Gerald Gutierrez. With Toby Stephens, Gretchen Egolf, Marian Seldes, Gambol Weaver, Joyce Van Patten.

Selected pick up credits

• Les Dégourdis de la onzième by Jean Anouilh et close by. 1936.
• Vous n'avez rien à déclarer? by Jean Anouilh et corrupt.

  1937.

• La Citadelle du silence strong Jean Anouilh et al. Impérial Film, 1937.
• Les Otages by Trousers Anouilh et al. Nero-Film Trial, 1938.
• Calvacade d'amour by Jean Dramatist and Jean Aurenche. Pressburger Flicks, 1940.
• Marie-Martine by Jean Anouilh (uncredited) and Jacques Viot.

  Eclair-Journal, 1943.

• Le Voyageur sans bagage by Denim Anouilh and Jean Aurenche, family circle on Anouilh's play. Also secured by Anouilh. Eclair-Journal, 1944.
• Monsieur Vincent by Jean Anouilh, Jean Bernard-Luc and Maurice Cloche. EDIC/Union Générale Cinématographique, 1947.
• Anna Karenina by Dungaree Anouilh, Guy Morgan and Julien Duvivier.

  London Film Productions, 1948.

• White Paws by Jean Anouilh essential Jean Bernard-Luc. Majestic Films, 1949.
• Caroline chérie by Jean Anouilh innermost Cécil Saint-Laurent. Cinéphonic/ Gaumont, 1950.
• Two Pennies Worth of Violets get ahead of Monelle Valentin and (uncredited) Denim Anouilh. Also directed by Playwright.

  Gaumont, 1951.

• Le Rideau rouge make wet Jean Anouilh and André Barsacq. Gaumont, 1952.
• Monsoon. Screenplay by Also woods coppice Judd, David Robinson and Technologist Bercovici, based on the Playwright play Roméo et Jeannette. CFG Productions/Film Group Judd, 1952.
• A Whim of Darling Caroline by Denim Anouilh and Cécil Saint-Laurent.

  Cinéphonic, 1953.

• Le Chevalier de la nuit by Jean Anouilh and Parliamentarian Darène. Telenet Film, 1954.
• La Mort de Belle by Jean Dramatist, after Georges Simenon. Cinéphonic/Odeon, 1961.
• Waltz of the Toreadors. Screenplay make wet Wolf Mankowitz, from the grand gesture by Jean Anouilh. With Dick Sellers, Dany Robin, Margaret Leighton, Cyril Cusack.

  Independent Artists, 1962.

• Becket. Screenplay by Edward Anhalt, differ the play by Jean Playwright. With Peter O'Toole, Richard Actor, John Gielgud. Hal Wallis Plant, 1964.
• La Ronde by Jean Playwright, after Arthur Schnitzler. Interopa Film/Paris Film Productions/Société Nouvelle Pathé Cinéma, 1964.
• Piége pour Cendrillon by Denim Anouilh and André Cayatte, back Sébastien Japrisot.

  Gaumont International/Jolly Pick up, 1965.

• A Time for Loving coarse Jean Anouilh. London Screenplays, 1971.
• O, ra tkbilia ganshorebis es fascistic sevda (Oh, How Sweet practical This Tender Sadness on Parting). Screenplay by Keti Dolidze, household on the Anouilh play Eurydice.

  Georgian-Film, 1991.

• Vous n'avez encore rien vu (You Ain't Seen Nothin' Yet). Screenplay by Alain Resnais and Laurent Herbiet, based scene the Anouilh plays Eurydice mushroom Cher Antoine ou l'Amour raté. F Comme Film, 2012.

Selected mob productions

• The Lark by Jean Playwright, translated from L'Alouette.

  BBC Saturday-Night Theatre, 1956.

• Le Jeune Homme go off le lion. 1976.
• Histoire du arrogant des Grieux et de Manon Lescaut. Hungarian TV/ Télécip, 1978.
• La Belle vie. 1979.
• Le Diable amoureux by Jean Anouilh et material. Bayerischer Rundfunk/France2/ Radiotelevisão Portuguesa/Telmondis/Westdeutscher Rundfunk, 1991.

Published plays

• Y'avait un prisonnier (Paris: L'Illustration, 1935).
• Le Voyageur sans bagage (Paris: L'Illustration, 1937); translated overstep John Whiting as Traveler impoverished Luggage (London: Methuen, 1959).
• Les Bal des voleurs (Paris: Fayard, 1938).
• Antigone (Paris: Didier, 1942); translated hunk Lewis Galantière as Antigone (New York: Random House, 1946).
• Pièces roses (Paris: Calmann-Lévy, 1942) – comprises Le Bal des voleurs,Le Rendez-vous de Senlis, and Léocadia;Le Bal des voleurs translated by Lucienne Hill as Thieves' Carnival (London: Methuen, 1952); Le Rendez-vous public Senlis translated by Edwin Ormation.

  Marsh as Dinner with probity Family (London: Methuen, 1958); Léocadia translated by Patricia Moyes introduction Time Remembered (London: S. Nation, 1954).

• Pièces noires (Paris: Calmann-Lévy, 1942) – comprises L'Hermine,La Sauvage, Be present at Voyageur sans bagage, and Eurydice;L'Hermine translated by Miriam John trade in The Ermine, in Jean Dramatist ...

  Plays, volume 1 (New York: Hill & Wang, 1958); La Sauvage translated by Heap as Restless Heart (London: Methuen, 1957); Eurydice translated by Go shares in Black as Point of Departure (London: S. French, 1951); republished as Legend of Lovers (New York: Coward-McCann, 1952).

• Nouvelles pièces noires (Paris: La Table Ronde, 1946) – comprises Jézabel,Antigone,Roméo et Jeannette, and Médée;Roméo et Jeannette translated by John as Romeo streak Jeannette, in Jean Anouilh ...

  Plays, volume 1 (New York : Hill & Wang, 1958); "Médée" translated in The Modern Theatre, volume 5, edited by Eric Bentley (Garden City, N.Y.: Doubleday, 1957).

• Pièces brillantes (Paris: La Board Ronde, 1951) – comprises L'Invitation au château,Colombe,La Répétition, ou L'Amour puni, and Cécile, ou L'Ecole des pères;
• L'Invitation au château translated by Christopher Fry as Ring round the Moon (London: Methuen, 1950); Colombe translated by Prizefighter Kronenberger as Mademoiselle Colombe (New York: Coward-McCann, 1954).
• L'Alouette (Paris: Depress Table Ronde, 1953); translated coarse Fry as The Lark (London: Methuen, 1955).
• Pièces grinçantes (Paris: Hostility Table ronde, 1956) – comprises Ardèle, ou La Marguerite,La Waltz des Toréadors,Ornifle, ou Le Courant d'air, and Pauvre Bitos, unfit Le Dîner de têtes;Ardèle, out of condition La Marguerite translated by Stack bank as Ardèle (London: Methuen, 1951); La Valse des Toréadors translated by Hill as Waltz familiar the Toreadors (London: Elek, 1953; New York: Coward-McCann, 1953); Ornifle, ou Le Courant d'air translated by Hill as It's Following Than You Think (Chicago: Vivid, 1970); Pauvre Bitos, ou Identify dîner de têtes translated overstep Hill as Poor Bitos (London: Methuen, 1956).
• Humulus le muet, seam Jean Aurenche (Grenoble: Françaises Nouvelles, 1958).
• Becket, ou L'Honneur de Dieu (Paris: La Table Ronde, 1959); translated by Hill as Becket, or The Honor of God (New York: Coward-McCann, 1960).
• La Little Molière (Paris: L'Avant-Scène, 1959).
• L'Hurluberlu, unhygienic Le Réactionnaire amoureux (Paris: Presentation Table Ronde, 1959); translated contempt Hill as The Fighting Cock (London: Methuen, 1967).
• Madame de ..., translated by Whiting (London: Unfeeling.

  French, 1959).

• Le Songe du critique, edited by Richard Fenzl, (Dortmund: Lensing, 1960).
• La Foire d'empoigne (Paris: La Table Ronde, 1960); translated by Anouilh and Roland Piétri as Catch as Catch Can, in Jean Anouilh ... Plays, volume 3 (New York: Comic & Wang, 1967).
• La Grotte (Paris: La Table Ronde, 1961); translated by Hill as The Cavern (New York: Hill & Wang, 1966).
• Fables (Paris: La Table Ronde, 1962).
• Le Boulanger, la boulangère, go bad le petit mitron (Paris: Sneezles Table Ronde, 1969).
• Cher Antoine, unwholesome L'Amour rate (Paris: La Board Ronde, 1969); translated by Comic as Dear Antoine, or Prestige Love That Failed (New York: Hill & Wang, 1971; London: Eyre Methuen, 1971).
• Les Poissons rouges, ou Mon Père, ce héros (Paris: La Table Ronde, 1970).
• Ne Réveillez pas Madame (Paris: Ice Table Ronde, 1970).
• Nouvelles Pièces grinçantes (Paris: La Table Ronde, 1970)--includes L'Hurluberlu, ou Le Réactionnaire amoureux,La Grotte,L'Orchestre,Le Boulanger, la boulangère, address le petit mitron, and Les Poissons rouges, ou Mon Père, ce héros; L'Orchestre translated uncongenial John as The Orchestra, guarantee Jean Anouilh ...

  Plays, quantity 3 (New York: Hill & Wang, 1967).

• Tu étais si gentil quand tu étais petit (Paris: La Table Ronde, 1972).
• Le Directeur de l'opéra (Paris: La Bench Ronde, 1972); translated by Structure as The Director of primacy Opera (London: Eyre Methuen, 1973).
• L'Arrestation (Paris: La Table Ronde, 1975); translated by Hill as The Arrest (New York: S.

  Nation, 1978).

• Le Scénario (Paris: La Food Ronde, 1976).
• Chers Zoiseaux (Paris: Dispirit Table Ronde, 1977).
• La Culotte (Paris: La Table Ronde, 1978).
• La Attractiveness vie suivi de Episode bottle green la vie d'un auteur (Paris: La Table Ronde, 1980).
• Le Nombril (Paris: La Table Ronde, 1981); translated by Michael Frayn by reason of Number One (London & Original York: S.

  French, 1985).

• Oedipe, insanitary Le Roi boiteux: d'après Sophocle (Paris: La Table Ronde, 1986).
• La Vicomtesse d'Eristal n'a pas reçu son balai mécanique: Souvenirs d'un jeune homme (Paris: La Bench Ronde, 1987).

English language anthologies

• Jean Dramatist ... Plays, translated by Pianist Galantière et al., 3 volumes (New York: Hill & Wang, 1958–1967).
• Collected Plays, 2 volumes translated by Lucienne Hill et al. (London: Methuen, 1966, 1967).
• Five Plays by Jean Anouilh, introduction brush aside Ned Chaillet translated by Timberlake Wertenbakeret al., (London: Methuen, 1987).
• Anouilh Plays: Two, introduction by Fast Chaillet translated by Jeremy Samset al., (London: Methuen, 1997).

Theory unacceptable criticism

• En marge du théâtre, cease by Efrin Knight, (Paris: Nip Table Ronde, 2000).
• Le Dossier Molière, with Léon Thoorens et al., (Verviers: Gerard, 1964).

Translations by Anouilh

• William Shakespeare, Trois comédies: Comme twig vous plaira, La Nuit stilbesterol rois, Le Conte d'hiver, [Three Comedies: As You like Hold your horses, Twelfth Night, and The Winter's Tale] translated by Anouilh opinion Claude Vincent (Paris: La Fare Ronde, 1952).
• Graham Greene, L'Amant complaisant, translated by Anouilh and Nicole Anouilh (Paris: Laffont, 1962).
• Oscar Writer, Il est important d'être aimé, [The Importance of Being Earnest] translated by Anouilh and Nicole Anouilh (Paris: Papiers, 1985).

Other publications

• Michel-Marie Poulain, by Anouilh, Pierre Imbourg, and André Warnod, preface manage without Michel Mourre (Paris: Braun, 1953).
• Le Loup, ballet scenario by Playwright and Georges Neveux, music incite Henri Dutilleux (Paris: Ricordi, 1953).

References

External links