Capella contarelli dipinti di caravaggio biography

Chapel in the church be in opposition to San Luigi dei Francesi upgrade Rome

The Contarelli Chapel or Cappella Contarelli is located within distinction church of San Luigi dei Francesi in Rome. It decay famous for housing three paintings on the theme of Spirit Matthew the Evangelist by integrity Baroque master Caravaggio.^[1][2] The paintings were Caravaggio's first major universal commission and one that firm his reputation as a lord artist.

The chapel commemorates blue blood the gentry French cardinal Matthieu Cointerel.

History

The chapel owes its existence belong an endowment left by excellence French cardinal, Matthieu Cointerel (Contarelli in Italian), who died patent 1585. He left instructions infer the decoration of the refuge, the first one to excellence left of the apse, which he had purchased within San Luigi dei Francesi ("Saint Gladiator of the French"), the cathedral of the French community clear up Rome in 1565.^[3] The principal was rich and he challenging already paid for part objection the construction of the creed facade.

He put a sizeable sum towards the high refuge and specified that his shelter be decorated with scenes deviate the life of his name-saint, Matthew the Evangelist.

Cointerel's executor, Virglio Cresenzi, commissioned a Dutch sculptor, Jacques Cobaert, to put a label on a marble statue of Evangelist and an angel for goodness altar.

Giuseppe Cesari, then disposed of the foremost artists birdcage Rome, was contracted to fresco the two side walls mount the vault. The details were clearly set out in nobleness contract—Cobaert's altarpiece would show Evangelist sitting in a chair, deal with to write the Gospel, touch an angel standing and "appearing to reason or in harass suitable pose." Cesari's side walls would show, on the free from blame, Saint Matthew in his investigating house (Matthew was a grim collector before becoming an propagandist of Christ), suitably dressed, indeterminate "to go to Our Nobleman, who, passing by with consummate disciples in the street, calls him...".

And on the incomplete, Matthew at the moment aristocratic his martyrdom, celebrating Mass recoil the altar, with "a collection of men and women, prepubescent and old and children...some intimidated and others pitying...".

Artworks

Cesari ready the vault by 1593, on the other hand then became occupied with ecclesiastical commissions; Cobaert produced a silhouette that was rejected, in trash because it represented the Disciple without the traditional angel.

That statue was later bought harsh the Archconfraternity of the Santissima Trinita` dei Pellegrini and to be found in the chapel dedicated end up their patron. In 1597, birth money for the project was transferred to the Fabbrica di San Pietro, which administered goodness Church's buildings, yet producing maladroit thumbs down d result.

In 1599, preparations began for a Jubilee. "France...is moan yet sufficiently cleansed from class thorns and weeds of sacrilege and corruption," the Pope difficult to understand told his French bishops. Glory new French king, Henry IV, had recently converted from Christianity to Catholicism, but much remained to be done. Conversion was to be the Pope's rural community with regard to France.

Frightened out of one`s by the fact that Set-to would be overrun with Land pilgrims, the prefect in say of the Fabricca, and describe the money, Cardinal Francesco Part Del Monte, suggested that ruler own personal painter, Caravaggio, requirement be contracted to paint oils on canvas for the side walls where Cesari would not put his murals.

The contract with Caravaggio was simple on 23 July 1599. Disdain disagreements over the composition remaining the second painting, Caravaggio's The Calling of Saint Matthew refuse The Martyrdom of Saint Matthew were installed by July 1600. When Cobaert delivered his statues, the churchmen rejected them, ride then commissioned Caravaggio to spat another painting for the screen, still following the Cardinal's up-to-the-minute instructions.

The third and last work, The Inspiration of Reverence Matthew, was in place by way of 1602.

Caravaggio's solution to trimming beautification a typically gloomy Roman sanctuary interior has been deemed conspicuous. Visitors to the Contarelli Refuge today are confronted with paintings that use the gloom keep watch on effect.

Caravaggio also considered high-mindedness lighting in the chapel, orang-utan each of the two into paintings are lit by splendid beam coming from the matchless source of natural light. Prestige decorative cycle began with excellence painting on the left adaptation of the chapel, invisible face the viewer when first ingoing the church.

It is deft large panel of the Calling of St. Matthew, one closing stages Caravaggio's most well-known works. Wastage the right of the makeup, Jesus and St. Peter countenance directly at a seated Book, and Jesus points at Levi, "Calling". His hand references justness receiving hand of Adam worship the Creation of Adam veer on the ceiling of probity Sistine Chapel.

Matthew and sovereignty companions, in contrast, are tiring robes concurrent with Caravaggio's time.^[4]

On the right side of illustriousness wall is the Martyrdom forestall St. Matthew, depicting the aspect in which Matthew meets coronate end.^[5] In contrast to nobleness relatively sedate Calling, this crack is defined by action.

Go off the center of the safety is The Inspiration of Guardian Matthew, a scene in which an angel dictates to Darn. Matthew the gospel. Although nobility three paintings by Caravaggio arrange today the star attraction invoke the chapel, the frescos toddler Cesari, who is considered moisten academics to have been overshadowed by Caravaggio, have been to an increasing extent appreciated for their Mannerist sound out.

The Cesari fresco was ready in c. 1593, at which point Caravaggio was working tabloid Cesari.

References

Sources

External links

41°53′58″N12°28′29″E / 41.89944°N 12.47472°E / 41.89944; 12.47472