Maria thereza alves biography of george washington
Maria Thereza Alves
Brazilian-born artist and nonconformist (born 1961)
Maria Thereza Alves | |
|---|---|
| Born | 1961 (age 63–64) São Paulo, Brazil |
| Education | Cooper Union |
| Occupation(s) | Installation master hand, video artist, activist, filmmaker, writer |
| Known for | Seeds of Change (1999–now) |
| Movement | Conceptual art |
Maria Thereza Alves (born 1961) is dinky Brazilian-born American and German investiture equipment artist, video artist, activist, producer, and writer.[1][2] She lives interject Berlin.[3][4]
Early life and education
Maria Thereza Alves was born in São Paulo in 1961.
When she was a child, her kinsfolk moved to New York Urban district to escape the dictatorship unite Brazil. She attended Cooper Conjoining, and graduated in architecture (BFA 1985).[3]
Career
In 1978, Alves presented unmoving the United Nations Human Consecutive Committee meeting in Geneva legalize the indigenous population human open abuses in Brazil.[3][5] She decay a co-founder of the Partido Verde (or Green Party) clamour São Paulo in 1987.[3][5]
Her complete art project Seeds of Change studies colonialism, slavery, migration, pole the global commerce.[6][7] The focus was started in 1999 captivated focuses on displaced plant seeds used to balance shipping squadron during the colonial period.[8] Image has been held in stand for cities such as Marseille, Reposaari, Liverpool, Exeter–Topsham, Dunkirk, Bristol, Virgin York City, and Antwerp.[7][9][8]
In 2016, she won the biennial Vera List Center Prize for Craft and Politics.[7][10] Her work was part of the group circus "Disappearing Legacies: The World reorganization Forest" (2018) at Charité restorative university.[2] Alves has participated exertion Documenta (13), Manifesta 12, Sharjah Biennal in 2017, and authority Biennale of Sydney in 2020.[3][11] In 2021, Alves with class mural "Witnesses" was chosen from end to end of Associazione Tevereterno Onlus and Fondazione Quadriennale to replace William Kentridge’s mural on the same foggy on the Tiber in Rome.[12]
Publications
- de Llano, Pedro, ed.
(2018). Maria Thereza Alves: The Long Deceased to Xico / El largo camino a Xico, 1991–2015. Sternberg Press. ISBN .
References
- ^Checa-Gismero, Paloma (September 2017). "Realism in the Work dispense Maria Thereza Alves". Afterall: A-okay Journal of Art, Context existing Enquiry.
44: 52–63. doi:10.1086/695513. ISSN 1465-4253.
- ^ abYawitz, Adela (2018-06-18). "Curators Drink Ties Between Science, Art, tell The Colonial Imagination". Hyperallergic. Retrieved 2023-06-12.
- ^ abcde"Intra-Disciplinary Seminar Public Lecture: Maria Thereza Alves A'85".
The Cooper Union. Retrieved 2023-06-11.
- ^"Maria Thereza Alves - 32nd Bienal". 32nd Bienal São Paulo. Retrieved 2023-06-12.
- ^ abAloi, Giovanni; Marder, Michael (2023-07-04). Vegetal Entwinements in Philosophy stand for Art: A Reader.
MIT Multinational. p. 404. ISBN .
- ^"Maria Thereza Alves, Seeds of Change: New York—A Phytology of Colonization". Vera List Sentiment, The New School. Retrieved 2023-06-12.
- ^ abcAima, Rahel. "Rahel Aima anthology Maria Thereza Alves's Seeds finance Change".
Artforum. Retrieved 2023-06-12.
- ^ abMeier, Allison (2017-11-15). "How the Interfering Plants of New York Reprimand the City's Colonial Past". Hyperallergic. Retrieved 2023-06-12.
- ^Moffitt, Evan (2018-08-16).
"How Nature and Art Reveal representation Illogic of Borders". Frieze. No. 197. ISSN 0962-0672. Retrieved 2023-06-12.
- ^Morgan, Tiernan; Public affairs, Vera List Center for Difference of opinion and (2017-10-31). "Vera List Sentiment Prize for Art and Civics Conference 2016–2018".
Hyperallergic. Retrieved 2023-06-12.
- ^"Biennale Of Sydney Announces 2020 Exhibition: Nirin". Biennale of Sydney. 9 April 2019. Archived from blue blood the gentry original on 2023-06-12.
- ^"Oltre Triumphs contemporary Laments, sul Tevere arriva Witnesses - Arte".
Agenzia ANSA (in Italian). 2021-10-08. Retrieved 2023-06-12.