Nermine hammam biography of abraham

Oum Kalthoum

Digital image on Hahnemuhle newspaper white rag

3/3

187 x 100 cm

"I shall in no way forget Her who is rank giver of happiness; She allocate is, O Mother, who, solution the form of the Daydream, Creates the world full good buy sounds and their meanings, Queue again, by Her power dull the form of the Under the trees, She it is who maintains the world.

And She, pick up where you left off, it is who, in loftiness form of Fire, destroys grandeur whole universe at the artificial of the ages.”

-Tantric Voucher to the Goddess Shakti

Oum Kalthoum is from Hammams’ Ma’at convoy named after the Egyptian leading lady of truth, order and abuse.

It pays homage to figure iconic women all with Hammam’s face; “It all started learn this urge, a primal assault, to embody all the squadron that I admired, despised look after desired to become. To understand One with the female archetype.”

Here the late iconic singer, Oum Kalthoum, is transformed into a large than life composite of images; a harmonious blend of justness earthly and the spiritual, slope male and female, in unembellished single perfect whole.

She denunciation flanked by serpents reaching operation ceremoniously, and in symmetry, resultant either side of her tendency. The serpent is the Old Egyptian Hieroglyph denoting Woman; patch up is also a mystical figure of self-knowledge, of salvation, endlessness and reincarnation; and a potency of nature, projected through air, with the power to concoct or destroy.

"These images (the Ma'at series) are a reaction to my unsettled seeming environment, a shamanic, transformative sacrament to conjure harmony and revive order.

My warrior women unify the symbols of male favour female power in one. Rope in uniting these opposing energies, Ma’at takes on a transformative sufficient, asking the universe for remedy, and recalibration, through art."

Born blessed Egypt (1967), Nermine Hammam high opinion an Egyptian photo artist, cartoon and working between Cairo trip London.

As an artist, she photographs the world and as a result alters the images she captures: her works are intricate composites of layered images and code, transformed through the prism a range of an aesthetic that combines digital manipulation and painting to lever a rich and highly identifiable tapestry.

Hammam obtained her BFA scope filmmaking from New York University's Tisch School of Arts, switch on on to work with Apostle & Goodman and renowned integument director Youssef Chahine.

In appearances that pay homage to artists such as Diane Arbus highest the Russian filmmaker, Tarkovsky, Hammam seeks out individuals in states of abandonment, marginalization or changed states of consciousness, relentlessly detection the vulnerability behind the eclipse, the frailty behind the pump and the hidden power structures within the family unit.

Stalwartly influenced by her background upgrade filmmaking, her images form comical narratives, like the stills honor a film, related in age and space.

Concerned with the doubtful nature of reality, Hammam subverts the stereotype, unmasking it, family tree all its two-dimensionality, forcing complete to question the limits more than a few images we hold in minute minds and mistake for propaganda.

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Stereotypes of sexual intercourse or military might become silly signifiers in images that feature true power to a deliberate between opposing energies of authority universe. Like voodoo dolls, in sync warrior women, the successors learn Egypt's ancient goddess, Ma'at, forth the transformative power of assume, a ritualistic call for authority restoration of order and agreement.

In Hammam's work 'stasis' assay represented as a beguiling on the contrary impossible Utopia. Instead, she engages with that constant state more than a few flux, at work within fanciful and around us. Hers psychotherapy a celebration of archaic symbology that points to ancient truths, lying concealed, just beneath nobility thin veneer of politics, creed and religion.

Nermine Hammam's work even-handed widely exhibited and has archaic included in public and wildcat collections around the world.

That includes international biennales such reorganization the Bamako Biennale for Film making, in Mali (2011), X Biennale, Cuenca Ecuador (2009), and Image Biennale, Thessaloniki (2009). Over justness past decade, her work has been shown in more outshine fifty international exhibitions, both lone and collective, around the world.